
Asante Akua'ba Fertility Figure Variant
This is a hand-carved wooden fertility figure originating from the Asante (Ashanti) people of Ghana, dating to the mid-20th century. Measuring approximately 17 inches tall, 5 inches wide, and 6 inches deep, it represents a stylistic evolution of the traditional Akua'ba doll. Unlike the standard flat disc-headed Akua'ba, this figure features a semi-cylindrical head with a distinctive four-lobed crest at the top, suggesting a more sculptural and possibly modern interpretation (mid-century). The wood is a dense hardwood, finished with a dark, blackened patina that shows reddish-brown undertones where the finish has thinned. The face displays the classic long, narrow nose meeting a single arched brow line, with coffee-bean-shaped eyes and a small, pursed mouth. Horizontal scarification marks are visible on the neck. The body is rendered with small, pointed breasts and a protruding navel, typical of the genre. Condition-wise, the piece exhibits surface abrasions and dust accumulation in the carved crevices, along with some minor chipping on the base. There is a visible dry patina on the forehead and crest, but no structural cracks are apparent from this view. The craftsmanship displays deliberate hand-tool marks on the hair's texture, indicating traditional artisanal methods applied to a stylized form.
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Estimated Value
$450.00 - $700.00
Basic Information
Category
African Tribal Art - Ethnographic Sculpture
Appraised On
April 29, 2026
Estimated Value
$450.00 - $700.00
Additional Details Provided By Owner
User Provided Information
African Tribal Art, 17"x 5" x 6", mid century, Ghana
Item Description
This is a hand-carved wooden fertility figure originating from the Asante (Ashanti) people of Ghana, dating to the mid-20th century. Measuring approximately 17 inches tall, 5 inches wide, and 6 inches deep, it represents a stylistic evolution of the traditional Akua'ba doll. Unlike the standard flat disc-headed Akua'ba, this figure features a semi-cylindrical head with a distinctive four-lobed crest at the top, suggesting a more sculptural and possibly modern interpretation (mid-century). The wood is a dense hardwood, finished with a dark, blackened patina that shows reddish-brown undertones where the finish has thinned. The face displays the classic long, narrow nose meeting a single arched brow line, with coffee-bean-shaped eyes and a small, pursed mouth. Horizontal scarification marks are visible on the neck. The body is rendered with small, pointed breasts and a protruding navel, typical of the genre. Condition-wise, the piece exhibits surface abrasions and dust accumulation in the carved crevices, along with some minor chipping on the base. There is a visible dry patina on the forehead and crest, but no structural cracks are apparent from this view. The craftsmanship displays deliberate hand-tool marks on the hair's texture, indicating traditional artisanal methods applied to a stylized form.
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