Dogon Carved Female Ancestor Figure
African Ethnographic Art

Dogon Carved Female Ancestor Figure

This is an impressively sized, 27.5-inch tall female ancestor figure originating from the Dogon people of Mali, West Africa. Hand-carved from a single block of dense hardwood, the sculpture exhibits the classic geometric abstraction characteristic of Dogon art. The torso is elongated and cylindrical, featuring stylized high-set breasts and a protruding navel, often symbolizing fertility and lineage. The arms are carved to lie flat against the sides of the body, creating a sense of rigid, vertical monumentality. The head is large with simplified facial features, including a heavy brow and a prominent chin. The wood has a rich, dark umber patina, suggesting age and frequent handling or oiling. There is visible wear consistent with its age, including minor surface abrasions, small cracks along the grain of the wood (desiccation cracks), and a softened edge to the carving from years of elemental exposure or ritual use. The figure stands on an integrated circular base, which shows some chipping around the perimeter. The craftsmanship is of high quality, demonstrating a sophisticated understanding of balance and symbolic proportion common in mid-20th-century ethnographic carvings from the Bandiagara Escarpment region.

Estimated Value

$1,200 - $1,800

Basic Information

Category

African Ethnographic Art

Appraised On

March 26, 2026

Estimated Value

$1,200 - $1,800

Additional Details Provided By Owner

User Provided Information

West Africa carved wood 27 1/2 in tall, Doron region

Item Description

This is an impressively sized, 27.5-inch tall female ancestor figure originating from the Dogon people of Mali, West Africa. Hand-carved from a single block of dense hardwood, the sculpture exhibits the classic geometric abstraction characteristic of Dogon art. The torso is elongated and cylindrical, featuring stylized high-set breasts and a protruding navel, often symbolizing fertility and lineage. The arms are carved to lie flat against the sides of the body, creating a sense of rigid, vertical monumentality. The head is large with simplified facial features, including a heavy brow and a prominent chin. The wood has a rich, dark umber patina, suggesting age and frequent handling or oiling. There is visible wear consistent with its age, including minor surface abrasions, small cracks along the grain of the wood (desiccation cracks), and a softened edge to the carving from years of elemental exposure or ritual use. The figure stands on an integrated circular base, which shows some chipping around the perimeter. The craftsmanship is of high quality, demonstrating a sophisticated understanding of balance and symbolic proportion common in mid-20th-century ethnographic carvings from the Bandiagara Escarpment region.

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