
Dogon Carved Female Ancestor Figure
This is an impressively sized, 27.5-inch tall female ancestor figure originating from the Dogon people of Mali, West Africa. Hand-carved from a single block of dense hardwood, the sculpture exhibits the classic geometric abstraction characteristic of Dogon art. The torso is elongated and cylindrical, featuring stylized high-set breasts and a protruding navel, often symbolizing fertility and lineage. The arms are carved to lie flat against the sides of the body, creating a sense of rigid, vertical monumentality. The head is large with simplified facial features, including a heavy brow and a prominent chin. The wood has a rich, dark umber patina, suggesting age and frequent handling or oiling. There is visible wear consistent with its age, including minor surface abrasions, small cracks along the grain of the wood (desiccation cracks), and a softened edge to the carving from years of elemental exposure or ritual use. The figure stands on an integrated circular base, which shows some chipping around the perimeter. The craftsmanship is of high quality, demonstrating a sophisticated understanding of balance and symbolic proportion common in mid-20th-century ethnographic carvings from the Bandiagara Escarpment region.
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Estimated Value
$1,200 - $1,800
Basic Information
Category
African Ethnographic Art
Appraised On
March 26, 2026
Estimated Value
$1,200 - $1,800
Additional Details Provided By Owner
User Provided Information
West Africa carved wood 27 1/2 in tall, Doron region
Item Description
This is an impressively sized, 27.5-inch tall female ancestor figure originating from the Dogon people of Mali, West Africa. Hand-carved from a single block of dense hardwood, the sculpture exhibits the classic geometric abstraction characteristic of Dogon art. The torso is elongated and cylindrical, featuring stylized high-set breasts and a protruding navel, often symbolizing fertility and lineage. The arms are carved to lie flat against the sides of the body, creating a sense of rigid, vertical monumentality. The head is large with simplified facial features, including a heavy brow and a prominent chin. The wood has a rich, dark umber patina, suggesting age and frequent handling or oiling. There is visible wear consistent with its age, including minor surface abrasions, small cracks along the grain of the wood (desiccation cracks), and a softened edge to the carving from years of elemental exposure or ritual use. The figure stands on an integrated circular base, which shows some chipping around the perimeter. The craftsmanship is of high quality, demonstrating a sophisticated understanding of balance and symbolic proportion common in mid-20th-century ethnographic carvings from the Bandiagara Escarpment region.
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