Carved White Marble Laughing Buddha (Budai) Figurine
Asian Art and Statuary

Carved White Marble Laughing Buddha (Budai) Figurine

This is a solid, hand-carved figurine of the Laughing Buddha, also known as Budai or Hotei, crafted from a dense, monochromatic white marble. The piece displays a creamy, off-white hue with a soft, satin-like polish. Standing or seated in a lotus-style posture, the figure features an exaggeratedly large, exposed belly, symbolic of happiness and abundance. The facial expression is characterized by a wide, joyous grin and squinted, cheerful eyes. The folds of the monk's robes are rendered with flowing, rhythmic lines that demonstrate significant carving skill. Given the user's note that it is 'heavy,' the material is likely genuine stone rather than resin. The craftsmanship is clean, with well-defined earlobes and hands resting on the lap. There appear to be no major cracks, chips, or structural repairs, though minor surface abrasions consistent with age and handling are present. This style is characteristic of late 20th-century Asian decorative arts, likely produced in China or Vietnam as a symbol of good fortune and prosperity.

Estimated Value

$150 - $350

Basic Information

Category

Asian Art and Statuary

Appraised On

February 20, 2026

Estimated Value

$150 - $350

Additional Details Provided By Owner

User Provided Information

Heavy

Item Description

This is a solid, hand-carved figurine of the Laughing Buddha, also known as Budai or Hotei, crafted from a dense, monochromatic white marble. The piece displays a creamy, off-white hue with a soft, satin-like polish. Standing or seated in a lotus-style posture, the figure features an exaggeratedly large, exposed belly, symbolic of happiness and abundance. The facial expression is characterized by a wide, joyous grin and squinted, cheerful eyes. The folds of the monk's robes are rendered with flowing, rhythmic lines that demonstrate significant carving skill. Given the user's note that it is 'heavy,' the material is likely genuine stone rather than resin. The craftsmanship is clean, with well-defined earlobes and hands resting on the lap. There appear to be no major cracks, chips, or structural repairs, though minor surface abrasions consistent with age and handling are present. This style is characteristic of late 20th-century Asian decorative arts, likely produced in China or Vietnam as a symbol of good fortune and prosperity.

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