
Thai-Burmese Style Crowned Gilded Wood Buddha
This is a life-sized, approximately 5-foot tall, 17-inch wide wooden Buddha statue, likely originating from Southeast Asia, specifically Thailand or Burma (Myanmar), in the Mandalay or Shan tradition rather than China. The figure is seated in the padmasana (lotus) position with one hand resting in the bhumisparsha mudra (earth-witness gesture). The statue is constructed from carved wood with a heavily gilded (gold leaf) finish and is adorned with 'hman-zi shwe-cha' glass mosaic inlay (thayo lacquer work) in shades of green and clear glass along the crown, collar, and robes. The figure features a characteristic high, tiered 'salwe' or royal crown and wing-like ear ornaments. Notable condition issues include visible wear to the gilding, particularly on the knees and face, showing the dark red lacquer primer beneath. There is evidence of dust accumulation in the crevices and potential minor losses to the glass mosaic fragments. The craftsmanship is intricate, showcasing the high-quality woodcarving and decorative glasswork typical of 19th or early 20th-century religious statuary. The serene facial expression, downcast eyes, and elongated earlobes are hallmarks of classical Buddhist iconography.
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Estimated Value
$4,000 - $6,500
Basic Information
Category
Asian Antiques & Religious Statuary
Appraised On
March 15, 2026
Estimated Value
$4,000 - $6,500
Additional Details Provided By Owner
User Provided Information
This is 5' tall and 17" across. Believed to be from China
Item Description
This is a life-sized, approximately 5-foot tall, 17-inch wide wooden Buddha statue, likely originating from Southeast Asia, specifically Thailand or Burma (Myanmar), in the Mandalay or Shan tradition rather than China. The figure is seated in the padmasana (lotus) position with one hand resting in the bhumisparsha mudra (earth-witness gesture). The statue is constructed from carved wood with a heavily gilded (gold leaf) finish and is adorned with 'hman-zi shwe-cha' glass mosaic inlay (thayo lacquer work) in shades of green and clear glass along the crown, collar, and robes. The figure features a characteristic high, tiered 'salwe' or royal crown and wing-like ear ornaments. Notable condition issues include visible wear to the gilding, particularly on the knees and face, showing the dark red lacquer primer beneath. There is evidence of dust accumulation in the crevices and potential minor losses to the glass mosaic fragments. The craftsmanship is intricate, showcasing the high-quality woodcarving and decorative glasswork typical of 19th or early 20th-century religious statuary. The serene facial expression, downcast eyes, and elongated earlobes are hallmarks of classical Buddhist iconography.
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