Seated Guanyin (Avalokiteshvara) Figure
Asian Art & Religious Statuary

Seated Guanyin (Avalokiteshvara) Figure

This is a hand-carved stone statuette depicting the bodhisattva Guanyin, known as the Goddess of Mercy. The figure is shown seated in a dhyana asana (meditation pose) on a double-layer lotus pedestal. Measuring approximately 6 to 8 inches in height, the piece is carved from a heavy, dense stone, likely soapstone or a low-grade jadeite, characterized by a variegated celadon-green and earth-toned brown color palette. Guanyin is rendered with traditional iconography, including flowing robes with deep rhythmic folds, a serene expression with downcast eyes, and high-piled hair covered by a cowl. She holds a 'pure water' vase (kalasha) in her lap, a classic attribute symbolizing the nectar of compassion. The craftsmanship shows a mix of fluid carving in the drapery and more stylized, geometric execution in the lotus base. Condition-wise, the piece shows significant surface patina and localized grime within the recessed carvings, which is typical for items of some age or those handled frequently. There are minor abrasions and small chips visible along the sharp edges of the lotus petals and the base, suggesting it may be a mid-20th-century decorative piece or a later export-style carving in the traditional Qing manner. The material's natural inclusions and veining are prominent, especially on the face and chest, contributing to its organic aesthetic. No distinct maker's marks or signatures are visible in the provided view.

Estimated Value

$150 - $250

Basic Information

Category

Asian Art & Religious Statuary

Appraised On

February 5, 2026

Estimated Value

$150 - $250

Item Description

This is a hand-carved stone statuette depicting the bodhisattva Guanyin, known as the Goddess of Mercy. The figure is shown seated in a dhyana asana (meditation pose) on a double-layer lotus pedestal. Measuring approximately 6 to 8 inches in height, the piece is carved from a heavy, dense stone, likely soapstone or a low-grade jadeite, characterized by a variegated celadon-green and earth-toned brown color palette. Guanyin is rendered with traditional iconography, including flowing robes with deep rhythmic folds, a serene expression with downcast eyes, and high-piled hair covered by a cowl. She holds a 'pure water' vase (kalasha) in her lap, a classic attribute symbolizing the nectar of compassion. The craftsmanship shows a mix of fluid carving in the drapery and more stylized, geometric execution in the lotus base. Condition-wise, the piece shows significant surface patina and localized grime within the recessed carvings, which is typical for items of some age or those handled frequently. There are minor abrasions and small chips visible along the sharp edges of the lotus petals and the base, suggesting it may be a mid-20th-century decorative piece or a later export-style carving in the traditional Qing manner. The material's natural inclusions and veining are prominent, especially on the face and chest, contributing to its organic aesthetic. No distinct maker's marks or signatures are visible in the provided view.

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