Intellectual Property Law Appraisal

Copinger on the Law of Copyright, Sixth Edition, 1927

The item is a vintage legal textbook titled "Copinger on the Law of Copyright", specifically the Sixth Edition. The title page, which is clearly visible, details the comprehensive scope of the book, covering copyright in "Works of Literature, Art, Architecture, Photography, Music and the Drama," with additional chapters on "Mechanical Contrivances and Cinematographs." It also includes "International and Colonial Copyright, with the Statutes Relating Thereto." The author is identified as F. E. Skone James, B.A., B.C.L., from the Middle Temple. The book was published in London by Sweet & Maxwell, Limited, Law Publishers, located at 2 & 3 Chancery Lane, W.C.2. Affiliated publishers are listed as The Carswell Company, Limited in Toronto, and The Law Book Company of Australasia, Limited in Sydney, Melbourne, and Brisbane. The publication year is clearly stated as 1927, and it was 'Printed in England.' The physical characteristics observable are its paper cover, which appears to be a heavy stock, possibly a cardstock, in a light tan or beige color, showing signs of age-toning. The text is printed in black ink with varying font sizes and styles, indicating hierarchy of information. The overall construction suggests a softcover or paperback binding, given the visible edge of the spine on the left, though the full binding isn't completely clear. The condition is good, as stated in the context, aligning with the image showing minimal creasing or major tears on the visible page. There's a slight darkening or mild soiling along the edges, common for a book of this age. Some handwritten or stamped text is present at the top right corner of the page, potentially a library stamp, an owner's mark, or a bookseller's notation (e.g., '1529 Dinsmore P. O. BOX 25, HALIFAX, N. B3J 2L4 Plc 429-6289'). This specific edition would be considered an early 20th-century publication, reflecting the legal frameworks of copyright during that period, including the nascent areas of cinematographs. Its historical relevance lies in documenting the evolution of copyright law, particularly as it adapted to new technologies (like film) and international agreements of the era. The quality of printing appears clear and consistent, typical of professional legal publications from that time.