
Carved Boxwood Figural Sculpture of a Boy Riding a Water Buffalo
This is a detailed hand-carved sculpture depicting a young boy or shepherd seated atop a water buffalo, a classic motif in Chinese folk art and Taoist philosophy representing harmony with nature. Carved from boxwood (huangyangmu), the piece exhibits a warm, honey-toned honey-brown patina with a smooth, semi-glossy finish. The buffalo is rendered with an intentionally gnarled or 'root-like' texture, particularly on its rear and flanks, featuring hollowed-out apertures that mimic natural burl formations. The animal features large, curved horns and inset white eyes (possibly bone or glass) providing a vivid expression. The human figure is expertly detailed with flowing robes and a serene facial expression. The entire sculpture is mounted on a separate, darker-stained wooden base with pierced, openwork carving to resemble jagged rockwork or stylized roots. The craftsmanship is of high quality, evidenced by the fluid lines of the drapery and the intricate management of the wood's density. No visible signatures or maker's marks are apparent in the primary view. The condition appears excellent with no major cracks or repairs visible, though a natural aged patina and minor dust accumulation in the crevices are present. Stylistically, this piece reflects late 19th-century to mid-20th-century artisanal traditions.
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Estimated Value
$1,200 - $1,800 USD
Basic Information
Category
Asian Art & Antiques
Appraised On
December 20, 2025
Estimated Value
$1,200 - $1,800 USD
Item Description
This is a detailed hand-carved sculpture depicting a young boy or shepherd seated atop a water buffalo, a classic motif in Chinese folk art and Taoist philosophy representing harmony with nature. Carved from boxwood (huangyangmu), the piece exhibits a warm, honey-toned honey-brown patina with a smooth, semi-glossy finish. The buffalo is rendered with an intentionally gnarled or 'root-like' texture, particularly on its rear and flanks, featuring hollowed-out apertures that mimic natural burl formations. The animal features large, curved horns and inset white eyes (possibly bone or glass) providing a vivid expression. The human figure is expertly detailed with flowing robes and a serene facial expression. The entire sculpture is mounted on a separate, darker-stained wooden base with pierced, openwork carving to resemble jagged rockwork or stylized roots. The craftsmanship is of high quality, evidenced by the fluid lines of the drapery and the intricate management of the wood's density. No visible signatures or maker's marks are apparent in the primary view. The condition appears excellent with no major cracks or repairs visible, though a natural aged patina and minor dust accumulation in the crevices are present. Stylistically, this piece reflects late 19th-century to mid-20th-century artisanal traditions.
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