Framed Chinese Export Pith Painting of Courtly Ladies
Asian Art & Antiques

Framed Chinese Export Pith Painting of Courtly Ladies

This item is a traditional Chinese pith painting, likely dating from the 19th-century Chinese Export era, depicting a courtyard scene with several courtly figures or deities. The artwork features five figures dressed in historical robes, rendered in soft polychrome pigments of red, blue, and teal. Background elements include a stylized architectural pavilion, a large deciduous tree, and a mountain range under a light-colored sky. The medium appears to be pith paper (often misidentified as rice paper), a fragile material known for creating a three-dimensional effect with watercolors. The painting is housed in an elaborate Chinoiserie-style wooden frame designed to mimic bamboo, finished with a gold-leaf or metallic-bronze gilding showing significant aged patina and some surface loss. The artwork is double-matted with a tan outer mat and a thin orange inner fillet. Condition-wise, the pith paper shows characteristic tanning and localized spotting (foxing) indicative of age and humidity exposure. Significant staining is visible on the bottom right of the outer matting, suggesting past moisture ingress. While no artist signature is immediately visible, common for such export wares, the fine line work and facial detailing suggest mid-to-high quality craftsmanship from the Cantonese export workshops.

Estimated Value

$450 - $650

Basic Information

Category

Asian Art & Antiques

Appraised On

January 28, 2026

Estimated Value

$450 - $650

Item Description

This item is a traditional Chinese pith painting, likely dating from the 19th-century Chinese Export era, depicting a courtyard scene with several courtly figures or deities. The artwork features five figures dressed in historical robes, rendered in soft polychrome pigments of red, blue, and teal. Background elements include a stylized architectural pavilion, a large deciduous tree, and a mountain range under a light-colored sky. The medium appears to be pith paper (often misidentified as rice paper), a fragile material known for creating a three-dimensional effect with watercolors. The painting is housed in an elaborate Chinoiserie-style wooden frame designed to mimic bamboo, finished with a gold-leaf or metallic-bronze gilding showing significant aged patina and some surface loss. The artwork is double-matted with a tan outer mat and a thin orange inner fillet. Condition-wise, the pith paper shows characteristic tanning and localized spotting (foxing) indicative of age and humidity exposure. Significant staining is visible on the bottom right of the outer matting, suggesting past moisture ingress. While no artist signature is immediately visible, common for such export wares, the fine line work and facial detailing suggest mid-to-high quality craftsmanship from the Cantonese export workshops.

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