The Lady Godiva Procession Stevengraph

This item is a Stevengraph, which is a pictorial scene produced using an intricate jacquard-woven silk technique developed by Thomas Stevens of Coventry, England, during the late 19th century (circa 1880s). The specific scene depicted is 'The Lady Godiva Procession,' showing a historical parade through the streets of Coventry with a multichromatic ensemble of figures on horseback and spectators against a backdrop of architectural buildings. The silk panel is mounted into its original cream or buff-colored cardboard mat. Physically, the piece demonstrates significant signs of age and distress; most notably, there is a large vertical tear extending from the top edge of the card down toward the top of the silk window. The card shows heavy foxing, browning (toning), and staining throughout, particularly visible as green and brown discolorations on the right side. The silk itself appears somewhat vibrant but may have slightly faded over time. Below the silk window, the title 'The Lady Godiva Procession' is printed in a stylized Gothic-style typeface. The craftsmanship represents high-quality Victorian industrial textile art, utilizing thousands of threads to create a detailed narrative image. Given the condition issues including the structural tear and environmental staining, the item requires conservatory care to prevent further degradation.

I have carefully examined the provided images of 'The Lady Godiva Procession' Stevengraph. This piece is a genuine 19th-century jacquard-woven silk produced by Thomas Stevens of Coventry. While the silk weaving itself retains much of its original luster and intricate detail, the overall value is severely compromised by the condition of the mount. The vertical tear in the cardboard mat, coupled with heavy foxing and moisture-borne green staining, indicates significant environmental damage. Collectors of Stevengraphs place a high premium on the condition of the original mount as it contains the essential typography; here, the structural damage and acidity of the mat negate the typical 'original mount' premium. Examples in pristine condition can fetch $150–$250, but the extensive conservation required to stabilize this piece limits its market to entry-level collectors or those seeking specimens for potential remounting. Please note that while the visual characteristics align with 1880s production, a full authentication would require an in-person examination to verify the 'trade mark' labels on the reverse of the mount and the depth of the silk weave. Without physical inspection, I cannot rule out later 20th-century tributes or verify if the silk has been glued to the backing, which would further detract from its value.