
Chinese Blanc de Chine Immortal riding a Guardian Lion (Shi)
This is a large, white porcelain figurine rendered in the 'Blanc de Chine' (Dehua) style, depicting a female Taoist immortal or deity riding atop a Guardian Lion (Shi). The statue is characterized by its brilliant, creamy-white monochrome glaze that flows evenly over the ceramic body. The central figure is dressed in traditional flowing robes with intricate pleating and a high sash, her hair styled in an elegant topknot. She holds a thin, wand-like object in her right hand, while her left arm is raised holding a large, leaf-shaped fan. The Guardian Lion features stylized curly fur on its back and tail, with an expressive, open-mouthed face typical of Chinese Buddhist iconography. The piece displays high-quality craftsmanship through the delicate modeling of the fingers and the fluid motion of the drapery. While no maker's marks are visible on the exterior, the style is evocative of mid-20th-century reproductions of much older Ming or Qing dynasty originals. The condition appears excellent with a strong luster to the glaze, though there is a minor dark speck or surface inclusion visible on the right sleeve of the immortal. The base shows some light accumulation of dust but no visible structural cracks or major chips.
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Estimated Value
$450 - $700
Basic Information
Category
Asian Decorative Arts / Ceramics
Appraised On
January 9, 2026
Estimated Value
$450 - $700
Item Description
This is a large, white porcelain figurine rendered in the 'Blanc de Chine' (Dehua) style, depicting a female Taoist immortal or deity riding atop a Guardian Lion (Shi). The statue is characterized by its brilliant, creamy-white monochrome glaze that flows evenly over the ceramic body. The central figure is dressed in traditional flowing robes with intricate pleating and a high sash, her hair styled in an elegant topknot. She holds a thin, wand-like object in her right hand, while her left arm is raised holding a large, leaf-shaped fan. The Guardian Lion features stylized curly fur on its back and tail, with an expressive, open-mouthed face typical of Chinese Buddhist iconography. The piece displays high-quality craftsmanship through the delicate modeling of the fingers and the fluid motion of the drapery. While no maker's marks are visible on the exterior, the style is evocative of mid-20th-century reproductions of much older Ming or Qing dynasty originals. The condition appears excellent with a strong luster to the glaze, though there is a minor dark speck or surface inclusion visible on the right sleeve of the immortal. The base shows some light accumulation of dust but no visible structural cracks or major chips.
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