
Owl on Sealskin by Kanginuk Pootoogook
This artwork, titled 'Owl on Sealskin,' is a notable example of contemporary Inuit art created by the artist Kanginuk Pootoogook. The piece features a central, stylized owl figure characterized by intricate stippling and repetitive circular patterns across its body, suggesting feathers. The central figure is rendered in warm golden, brown, and black tones with a distinctive white beak and wide, intense eyes. Enclosing the owl is a complex border logic consist of twelve additional repetitive, smaller owl-like heads connected by delicate lines, creating a rhythmic and symmetrical perimeter. The materials include colored inks or pigments applied to a light-colored surface, likely paper or a specialized vellum that mimics the appearance of sealskin as suggested by the title. The composition utilizes a gradient 'halo' effect in a soft orange-brown around the central figure to create depth and focus. The style is indicative of the mid-20th-century Cape Dorset printmaking tradition, specifically utilizing stonecut or stencil techniques popular in the 1960s-1970s. The condition appears stable based on the digital archive image, showing crisp edges and vibrant saturation of the darker pigments against the cream-colored background. The balance of negative space and the meticulous fine-line work demonstrate high-level craftsmanship and artistic control.
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Estimated Value
$1,500 - $2,500 USD
Basic Information
Category
Indigenous Fine Art / Inuit Printwork
Appraised On
January 2, 2026
Estimated Value
$1,500 - $2,500 USD
Item Description
This artwork, titled 'Owl on Sealskin,' is a notable example of contemporary Inuit art created by the artist Kanginuk Pootoogook. The piece features a central, stylized owl figure characterized by intricate stippling and repetitive circular patterns across its body, suggesting feathers. The central figure is rendered in warm golden, brown, and black tones with a distinctive white beak and wide, intense eyes. Enclosing the owl is a complex border logic consist of twelve additional repetitive, smaller owl-like heads connected by delicate lines, creating a rhythmic and symmetrical perimeter. The materials include colored inks or pigments applied to a light-colored surface, likely paper or a specialized vellum that mimics the appearance of sealskin as suggested by the title. The composition utilizes a gradient 'halo' effect in a soft orange-brown around the central figure to create depth and focus. The style is indicative of the mid-20th-century Cape Dorset printmaking tradition, specifically utilizing stonecut or stencil techniques popular in the 1960s-1970s. The condition appears stable based on the digital archive image, showing crisp edges and vibrant saturation of the darker pigments against the cream-colored background. The balance of negative space and the meticulous fine-line work demonstrate high-level craftsmanship and artistic control.
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