
Persian Miniature Narrative Painting Folio
This item is an illuminated Persian miniature painting, likely a folio from a larger manuscript such as the Shahnameh or a similar epic poem. The work is divided into a grid of six distinct narrative panels framed by decorative borders. Each panel depicts stylized figures in traditional Persian attire, featuring themes of equestrian combat, courtly life, hunting, and mythical encounters including a prominent scene with a Simurgh or large phoenix-like bird. The medium consists of opaque watercolors (gouache) and potentially gold leaf on paper. The composition is flanked by bands of Nasta'liq calligraphy at the top and bottom, which provide the accompanying text for the illustrations. Physically, the piece shows signs of age consistent with a 17th to 19th-century origin, including some darkening of the pigments, minor surface abrasions, and a visible patina on the paper substrate. The craftsmanship displays the intricate detail characteristic of the Safavid or Qajar traditions, with vibrant earth tones, blues, and reds. The figures are rendered with the classic three-quarter view and stylized facial features typical of central Asian manuscript art. The condition appears stable within its protective mount, though there is some slight edge wear and minor pigment loss in the more heavily layered areas. The integration of text and image indicates it served as a didactic or narrative tool for the elite.
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Estimated Value
$400 - $800
Basic Information
Category
Fine Art / Middle Eastern Manuscripts
Appraised On
February 2, 2026
Estimated Value
$400 - $800
Item Description
This item is an illuminated Persian miniature painting, likely a folio from a larger manuscript such as the Shahnameh or a similar epic poem. The work is divided into a grid of six distinct narrative panels framed by decorative borders. Each panel depicts stylized figures in traditional Persian attire, featuring themes of equestrian combat, courtly life, hunting, and mythical encounters including a prominent scene with a Simurgh or large phoenix-like bird. The medium consists of opaque watercolors (gouache) and potentially gold leaf on paper. The composition is flanked by bands of Nasta'liq calligraphy at the top and bottom, which provide the accompanying text for the illustrations. Physically, the piece shows signs of age consistent with a 17th to 19th-century origin, including some darkening of the pigments, minor surface abrasions, and a visible patina on the paper substrate. The craftsmanship displays the intricate detail characteristic of the Safavid or Qajar traditions, with vibrant earth tones, blues, and reds. The figures are rendered with the classic three-quarter view and stylized facial features typical of central Asian manuscript art. The condition appears stable within its protective mount, though there is some slight edge wear and minor pigment loss in the more heavily layered areas. The integration of text and image indicates it served as a didactic or narrative tool for the elite.
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