
Framed Chinese Ink Wash Panda Painting
This artwork is a traditional Chinese ink and wash painting (Shuimo) on paper, depicting two giant pandas in a naturalistic setting. One panda is seated on the ground amidst bamboo shoots, while the other is perched playfully on a sturdy pine branch. The piece is executed with classic calligraphic brushwork, using varied ink tones from deep charcoal to light grey to create the pandas' distinct markings and the texture of the flora. The composition includes vertical Chinese calligraphy on the right side, accompanied by two red 'chop' seals—one below the text and one upper left—indicating the artist's signature and studio mark. The painting is housed within a dark-stained wood frame carved to resemble bamboo segments, complementing the subject matter. Based on the style and calligraphy, this likely dates to the late 20th century, approximately 1970-1990. The craftsmanship shows confident, fluid brush strokes characteristic of skilled mid-level regional artists. The paper appears in good condition with minor uniform toning consistent with age, though there is slight unduration suggesting a need for archival mounting. The frame shows minor surface scuffs but remains structurally sound.
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Estimated Value
$400 - $650
Basic Information
Category
Fine Art - Asian Paintings
Appraised On
January 28, 2026
Estimated Value
$400 - $650
Additional Details Provided By Owner
User Provided Information
Chinese ink on paper pandas
Item Description
This artwork is a traditional Chinese ink and wash painting (Shuimo) on paper, depicting two giant pandas in a naturalistic setting. One panda is seated on the ground amidst bamboo shoots, while the other is perched playfully on a sturdy pine branch. The piece is executed with classic calligraphic brushwork, using varied ink tones from deep charcoal to light grey to create the pandas' distinct markings and the texture of the flora. The composition includes vertical Chinese calligraphy on the right side, accompanied by two red 'chop' seals—one below the text and one upper left—indicating the artist's signature and studio mark. The painting is housed within a dark-stained wood frame carved to resemble bamboo segments, complementing the subject matter. Based on the style and calligraphy, this likely dates to the late 20th century, approximately 1970-1990. The craftsmanship shows confident, fluid brush strokes characteristic of skilled mid-level regional artists. The paper appears in good condition with minor uniform toning consistent with age, though there is slight unduration suggesting a need for archival mounting. The frame shows minor surface scuffs but remains structurally sound.
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