
French Three-Piece Spelter and Rouge Marble Figural Mantel Clock Garniture Set
A sophisticated three-piece clock garniture set featuring a central figural mantel clock flanked by two matching single-candle holders. The clock is designed in the late 19th-century French Rococo or Art Nouveau transition style. It features a central white enamel dial with Arabic numerals and delicate floral swags, housed in an ornate spelter (zinc alloy) case. The case is topped with a large figural sculpture of two boys harvesting fruit, adorned with intricate floral and vine motifs. The side garnitures depict cherub-like figures climbing stylized tree stumps that serve as candle sockets. All three pieces are mounted on circular, bevelled Rouge Marble bases with a deep red and white variegated pattern, finished with a brass or gilt-metal ring at the foot. The metal exhibits a dark bronze-toned patina with some visible highlights and minor surface wear consistent with age. Notable craftsmanship is seen in the casting of the figures' clothing and the organic curvature of the vines. The clock face appears to be in good condition, though the internal movement's functionality is unknown from the image alone. These sets were highly popular in bourgeois French households during the Belle Époque.
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Estimated Value
$400 - $600
Basic Information
Category
Antique Horology and Decorative Arts
Appraised On
May 8, 2026
Estimated Value
$400 - $600
Item Description
A sophisticated three-piece clock garniture set featuring a central figural mantel clock flanked by two matching single-candle holders. The clock is designed in the late 19th-century French Rococo or Art Nouveau transition style. It features a central white enamel dial with Arabic numerals and delicate floral swags, housed in an ornate spelter (zinc alloy) case. The case is topped with a large figural sculpture of two boys harvesting fruit, adorned with intricate floral and vine motifs. The side garnitures depict cherub-like figures climbing stylized tree stumps that serve as candle sockets. All three pieces are mounted on circular, bevelled Rouge Marble bases with a deep red and white variegated pattern, finished with a brass or gilt-metal ring at the foot. The metal exhibits a dark bronze-toned patina with some visible highlights and minor surface wear consistent with age. Notable craftsmanship is seen in the casting of the figures' clothing and the organic curvature of the vines. The clock face appears to be in good condition, though the internal movement's functionality is unknown from the image alone. These sets were highly popular in bourgeois French households during the Belle Époque.
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