
Trio of Contemporary Studio Pottery Bud Vases
This set consists of three small ceramic bud vases, likely stoneware or earthenware, characterized by a contemporary, artisanal aesthetic. Each vessel exhibits a unique silhouette: one is a tall, slender conical bottle with a narrow neck; the second is a squat, globular jar with a flared rim; and the third features a flared trumpet neck with a small applied handle or decorative lug on the body. The color palette is uniform in deep charcoal and matte black tones, though they reveal varying surface treatments. One vase shows a heavy, encrusted texture suggesting a lava or salt glaze, while another appears more burnished with subtle sheen. Construction is indicative of hand-thrown or hand-built techniques, emphasizing organic irregularities over industrial perfection. Condition-wise, the pieces show evidence of surface scuffing and minor mineral deposits, particularly near the bases, which may indicate previous use or a calculated weathered patina. The style is reminiscent of Mid-Century Modern or contemporary studio ceramics, emphasizing form and texture over ornate decoration. There are no readily visible maker's marks from this angle, but the quality suggests individual artistic production rather than mass-market manufacturing.
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Estimated Value
$50 - $100
Basic Information
Category
Decorative Arts - Ceramics and Pottery
Appraised On
May 9, 2026
Estimated Value
$50 - $100
Item Description
This set consists of three small ceramic bud vases, likely stoneware or earthenware, characterized by a contemporary, artisanal aesthetic. Each vessel exhibits a unique silhouette: one is a tall, slender conical bottle with a narrow neck; the second is a squat, globular jar with a flared rim; and the third features a flared trumpet neck with a small applied handle or decorative lug on the body. The color palette is uniform in deep charcoal and matte black tones, though they reveal varying surface treatments. One vase shows a heavy, encrusted texture suggesting a lava or salt glaze, while another appears more burnished with subtle sheen. Construction is indicative of hand-thrown or hand-built techniques, emphasizing organic irregularities over industrial perfection. Condition-wise, the pieces show evidence of surface scuffing and minor mineral deposits, particularly near the bases, which may indicate previous use or a calculated weathered patina. The style is reminiscent of Mid-Century Modern or contemporary studio ceramics, emphasizing form and texture over ornate decoration. There are no readily visible maker's marks from this angle, but the quality suggests individual artistic production rather than mass-market manufacturing.
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