French Rococo Style Putti Mantel Clock
Antique Horology / Decorative Arts

French Rococo Style Putti Mantel Clock

This is an ormolu-style (gilt metal) mantel clock designed in the ornate French Rococo Revival style, likely dating from the late 19th back to the mid-20th century. The clock features a central circular dial supported by two flanking 'putti' or cherubic figures standing on an integrated rectangular base with scrolling cabriole feet. The dial is white enamel or a painted substitute with Arabic numerals and fine black hands; it appears to be marked 'L.R. & Cie' or a similar manufacturer name localized to Paris. The metalwork is cast with high-relief scrollwork, acanthus leaves, and a decorative finial shaped like a stylized crest or shell. The gold-toned finish shows significant age-related wear, with visible darkening and oxidation (patina) particularly on the lower base and the backs of the figures. Some areas show a loss of gilding, revealing a darker base metal beneath. The craftsmanship reflects a mass-produced decorative object intended to emulate 18th-century luxury, showing some casting seams and moderate detail in the sculptural elements. The condition is fair, exhibiting dust accumulation in the crevices and general surface abrasions consistent with long-term residential display.

Estimated Value

$150-300

Basic Information

Category

Antique Horology / Decorative Arts

Appraised On

April 10, 2026

Estimated Value

$150-300

Item Description

This is an ormolu-style (gilt metal) mantel clock designed in the ornate French Rococo Revival style, likely dating from the late 19th back to the mid-20th century. The clock features a central circular dial supported by two flanking 'putti' or cherubic figures standing on an integrated rectangular base with scrolling cabriole feet. The dial is white enamel or a painted substitute with Arabic numerals and fine black hands; it appears to be marked 'L.R. & Cie' or a similar manufacturer name localized to Paris. The metalwork is cast with high-relief scrollwork, acanthus leaves, and a decorative finial shaped like a stylized crest or shell. The gold-toned finish shows significant age-related wear, with visible darkening and oxidation (patina) particularly on the lower base and the backs of the figures. Some areas show a loss of gilding, revealing a darker base metal beneath. The craftsmanship reflects a mass-produced decorative object intended to emulate 18th-century luxury, showing some casting seams and moderate detail in the sculptural elements. The condition is fair, exhibiting dust accumulation in the crevices and general surface abrasions consistent with long-term residential display.

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