
Carved Wood Laughing Buddha (Budai) Figurine
This is a hand-carved wooden figurine of Budai, popularly known as the Laughing Buddha, depicted in a seated, reclining posture. The item is crafted from a medium-to-dark stained wood with a prominent reddish-brown undertone, possibly cherry or a stained hardwood. It features the characteristic potbelly, joyful facial expression with an open mouth, and elongated earlobes. Notable details include fine cross-hatching on the trousers to simulate fabric texture and a wavy-edged hem on the upper garment. The figure carries a large cloth sack over its right shoulder, which is a traditional iconographic element representing abundance. The surface displays a soft, lustrous patina consistent with age and handling. Condition-wise, the piece appears well-maintained with minor surface abrasions and dust accumulation in the crevices, particularly around the feet and garment folds. There are no immediate signs of structural cracks or major repairs. The level of detail in the fingers and facial features suggests mid-20th-century craftsmanship or later, typical of Chinese decorative folk art. No discernible maker's marks are visible in this view, suggesting it may be a workshop production rather than a signed artist piece.
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Estimated Value
$150 - $250
Basic Information
Category
Asian Art & Collectibles
Appraised On
April 15, 2026
Estimated Value
$150 - $250
Item Description
This is a hand-carved wooden figurine of Budai, popularly known as the Laughing Buddha, depicted in a seated, reclining posture. The item is crafted from a medium-to-dark stained wood with a prominent reddish-brown undertone, possibly cherry or a stained hardwood. It features the characteristic potbelly, joyful facial expression with an open mouth, and elongated earlobes. Notable details include fine cross-hatching on the trousers to simulate fabric texture and a wavy-edged hem on the upper garment. The figure carries a large cloth sack over its right shoulder, which is a traditional iconographic element representing abundance. The surface displays a soft, lustrous patina consistent with age and handling. Condition-wise, the piece appears well-maintained with minor surface abrasions and dust accumulation in the crevices, particularly around the feet and garment folds. There are no immediate signs of structural cracks or major repairs. The level of detail in the fingers and facial features suggests mid-20th-century craftsmanship or later, typical of Chinese decorative folk art. No discernible maker's marks are visible in this view, suggesting it may be a workshop production rather than a signed artist piece.
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