Carved Black Obsidian Hotei (Laughing Buddha) Figurine
Asian Art & Collectibles

Carved Black Obsidian Hotei (Laughing Buddha) Figurine

This is a hand-carved figurine of Hotei, commonly known as the Laughing Buddha, crafted from a solid, heavy black stone, likely black obsidian or a similar dense volcanic glass or dark schist. The piece measures approximately 3 to 4 inches in height and 3 to 4 inches in width. It features the characteristic seated pose with an exposed, large belly symbolizing abundance and a wide, joyful facial expression with deep-set eyes and elongated earlobes. The carving style is folk-traditional with simplified, bold lines defining the robes. The stone has a polished, reflective finish that shows a soft sheen under direct light. Notable condition markers include several small white surface abrasions and nicks, particularly on the chest and lower robes, which are typical of handling on harder stone materials. There are no visible maker's marks or signatures, suggesting it is a late 20th-century decorative export piece. The craftsmanship shows moderate skill in anatomical proportion and consistent smoothing of the stone’s surface, though some deeper crevices retain a slightly matte texture from the carving tools.

Estimated Value

$40-80

Basic Information

Category

Asian Art & Collectibles

Appraised On

February 20, 2026

Estimated Value

$40-80

Additional Details Provided By Owner

User Provided Information

Heavy, solid real stone

Item Description

This is a hand-carved figurine of Hotei, commonly known as the Laughing Buddha, crafted from a solid, heavy black stone, likely black obsidian or a similar dense volcanic glass or dark schist. The piece measures approximately 3 to 4 inches in height and 3 to 4 inches in width. It features the characteristic seated pose with an exposed, large belly symbolizing abundance and a wide, joyful facial expression with deep-set eyes and elongated earlobes. The carving style is folk-traditional with simplified, bold lines defining the robes. The stone has a polished, reflective finish that shows a soft sheen under direct light. Notable condition markers include several small white surface abrasions and nicks, particularly on the chest and lower robes, which are typical of handling on harder stone materials. There are no visible maker's marks or signatures, suggesting it is a late 20th-century decorative export piece. The craftsmanship shows moderate skill in anatomical proportion and consistent smoothing of the stone’s surface, though some deeper crevices retain a slightly matte texture from the carving tools.

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