
Mid-Century Modern Ceramic Ascetic Monk Figurine
This is a stylized, seated ceramic figurine depicting a monk or ascetic figure in a meditative pose. The figure is shown cross-legged (lotus position), wearing traditional flowing robes with wide sleeves and a circular medallion at the neck. A distinctive tall, vertically-ridged headdress or cap sits atop the head, framing a face with closed eyes and a peaceful expression. The figure holds a rectangular object, possibly a sacred text or tablet, in its left hand. The item is approximately 10-12 inches tall, constructed from cast ceramic with a high-gloss cream or off-white glaze. The style is indicative of the Mid-Century Modern 'Orientalia' trend, likely dating from the 1950s to 1970s. The craftsmanship shows smooth, rounded contours and clean lines characteristic of commercial slip-casting techniques of the era. The condition appears excellent with no visible chips, cracks, or crazing, though a slight yellowish patina may be present in the crevices of the glaze. No maker's marks are visible on the front, though they are often found stamped on the unglazed base. The piece captures a fusion of Eastern religious themes with Western decorative design popular in the mid-20th century.
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Estimated Value
$40-80
Basic Information
Category
Vintage Ceramic Decor
Appraised On
December 23, 2025
Estimated Value
$40-80
Item Description
This is a stylized, seated ceramic figurine depicting a monk or ascetic figure in a meditative pose. The figure is shown cross-legged (lotus position), wearing traditional flowing robes with wide sleeves and a circular medallion at the neck. A distinctive tall, vertically-ridged headdress or cap sits atop the head, framing a face with closed eyes and a peaceful expression. The figure holds a rectangular object, possibly a sacred text or tablet, in its left hand. The item is approximately 10-12 inches tall, constructed from cast ceramic with a high-gloss cream or off-white glaze. The style is indicative of the Mid-Century Modern 'Orientalia' trend, likely dating from the 1950s to 1970s. The craftsmanship shows smooth, rounded contours and clean lines characteristic of commercial slip-casting techniques of the era. The condition appears excellent with no visible chips, cracks, or crazing, though a slight yellowish patina may be present in the crevices of the glaze. No maker's marks are visible on the front, though they are often found stamped on the unglazed base. The piece captures a fusion of Eastern religious themes with Western decorative design popular in the mid-20th century.
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