
Wedgwood Pale Blue Jasperware Square Trinket Box
This is a vintage Wedgwood square trinket or pill box crafted in the iconic pale blue jasperware. The piece features a matte unglazed stoneware body with white bas-relief applications in a classical Neoclassical style. The lid depicts a detailed mythological scene, likely Venus or a similar deity accompanied by cupids/cherubs and a chariot drawn by swans or dolphins. The central scene is framed by four rosettes in the corners and a delicate floral garland border that runs along the top perimeter. Additional white leaf sprigging is visible on the sides of the base. The construction is indicative of mid-20th-century English manufacture, showcasing the high-quality craftsmanship typical of the Etruria and Barlaston works. The relief is finely detailed, showing clear muscle definition on the figures and intricate textures in the foliage. Condition appears excellent with no visible chips, cracks, or heavy staining, though light handling wear or surface dust may be present. The interior likely bears the stamped 'WEDGWOOD MADE IN ENGLAND' hallmark, and the overall aesthetic reflects the timeless Georgian revival style popularized by Josiah Wedgwood in the 18th century.
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Estimated Value
$20 - $40
Basic Information
Category
Antique Ceramics & Porcelain
Appraised On
May 3, 2026
Estimated Value
$20 - $40
Item Description
This is a vintage Wedgwood square trinket or pill box crafted in the iconic pale blue jasperware. The piece features a matte unglazed stoneware body with white bas-relief applications in a classical Neoclassical style. The lid depicts a detailed mythological scene, likely Venus or a similar deity accompanied by cupids/cherubs and a chariot drawn by swans or dolphins. The central scene is framed by four rosettes in the corners and a delicate floral garland border that runs along the top perimeter. Additional white leaf sprigging is visible on the sides of the base. The construction is indicative of mid-20th-century English manufacture, showcasing the high-quality craftsmanship typical of the Etruria and Barlaston works. The relief is finely detailed, showing clear muscle definition on the figures and intricate textures in the foliage. Condition appears excellent with no visible chips, cracks, or heavy staining, though light handling wear or surface dust may be present. The interior likely bears the stamped 'WEDGWOOD MADE IN ENGLAND' hallmark, and the overall aesthetic reflects the timeless Georgian revival style popularized by Josiah Wedgwood in the 18th century.
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