Last Supper Copper Appraisal

Framed Copper Relief of The Last Supper

This item is a framed copper relief sculpture depicting 'The Last Supper,' inspired by Leonardo da Vinci's iconic fresco. The sculpture is rendered in hammered or repoussé copper, giving it a three-dimensional quality where the figures and architectural elements project from the background. The copper has a warm, coppery-orange hue throughout the main figures and the interior architecture, including the coffered ceiling and wall panels. The background behind the figures and above the wall panels appears to be a dark, possibly greenish-black textured material, creating a contrast with the metallic foreground. Below the main scene, there is a reddish-brown textured area, likely representing the lower part of the room or drapery, adding another layer of visual interest and depth. The overall impression is one of intricate detail, with the drapery of the figures and facial expressions seemingly well-articulated despite the limitation of the medium. The copper itself shows a natural patina consistent with age, or possibly an intentional darkening in recessed areas to enhance the dimensional effect. There are no readily visible signs of significant damage like dents or severe scratches on the copper surface, though minor surface wear might be present under closer inspection. The piece is encased in a simple, rectangular wooden frame, likely made of oak or a similar light-to-medium toned wood, which appears to be in good condition with minor wear. The frame includes a matting, which is a light, possibly off-white or cream color, providing a border between the artwork and the frame. The presence of glass over the artwork protects the copper from environmental factors and dust, but also creates reflections visible in the image. This type of copper relief was popular in the mid-20th century, suggesting an estimated age from the 1950s to 1970s. The craftsmanship suggests it is a manufactured piece, likely mass-produced but still requiring skilled artistry in its creation.