
Gilt Metal Bas-Relief Plaque of 'The Last Supper' in Red Velvet Matting
This item is a dimensional bas-relief plaque depicting Leonardo da Vinci's iconic 'The Last Supper.' The central artwork is likely made of a cast metal, such as pewter or bronze, with a gold-toned finish or gilding applied to the surface. It is rectangular in orientation with detailed renderings of Jesus and the twelve apostles arranged across a single table, set against a classic architectural interior with visible ceiling beams and windows. The plaque is inset into a deep-set, beveled matting covered in a rich, burgundy-red velvet fabric, which provides a dramatic contrast to the metallic subject. The outermost border is an ornate, gilded wood or composite frame featuring scrolled acanthus leaf motifs and a decorative beaded inner lip. In terms of condition, there is visible dust accumulation across the velvet matting and minor wear to the gilt finish on the frame's raised edges, suggesting it dates from the mid-to-late 20th century. The craftsmanship is consistent with high-quality religious commemorative art from this period, often intended for home or parish display. There are no immediately visible maker's marks on the front, though such pieces' origins are often labeled on the reverse of the frame or indicated by a small signature in the lower corner of the cast metal.
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Estimated Value
$150 - $250
Basic Information
Category
Religious Art & Collectibles
Appraised On
March 24, 2026
Estimated Value
$150 - $250
Item Description
This item is a dimensional bas-relief plaque depicting Leonardo da Vinci's iconic 'The Last Supper.' The central artwork is likely made of a cast metal, such as pewter or bronze, with a gold-toned finish or gilding applied to the surface. It is rectangular in orientation with detailed renderings of Jesus and the twelve apostles arranged across a single table, set against a classic architectural interior with visible ceiling beams and windows. The plaque is inset into a deep-set, beveled matting covered in a rich, burgundy-red velvet fabric, which provides a dramatic contrast to the metallic subject. The outermost border is an ornate, gilded wood or composite frame featuring scrolled acanthus leaf motifs and a decorative beaded inner lip. In terms of condition, there is visible dust accumulation across the velvet matting and minor wear to the gilt finish on the frame's raised edges, suggesting it dates from the mid-to-late 20th century. The craftsmanship is consistent with high-quality religious commemorative art from this period, often intended for home or parish display. There are no immediately visible maker's marks on the front, though such pieces' origins are often labeled on the reverse of the frame or indicated by a small signature in the lower corner of the cast metal.
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