AI identification & appraisal estimate

Framed Copper Relief of The Last Supper

Submitted photo of Framed Copper Relief of The Last Supper
Photo submitted by the user — not generated by AI

AI Estimated Value

Not an official valuation

$125-200

AI estimate as of August 7, 2025 · verify with a professional before acting

AI-Generated · Verify before acting

Everything on this page is generated by AI for informational purposes only. AI can make mistakes — the AI may misidentify items or misattribute them (artist, maker, brand, designer, origin, era). This is not an official valuation and should not be used for insurance, sale, tax, estate, legal, or lending purposes — or any decision requiring a certified appraisal. It is not an authoritative claim about any person, brand, or rights holder — do not share or rely on it as a factual statement about a third party. Always consult qualified professionals before making financial decisions.

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AI Item Analysis

This item is a framed copper relief sculpture depicting 'The Last Supper,' inspired by Leonardo da Vinci's iconic fresco. The sculpture is rendered in hammered or repoussé copper, giving it a three-dimensional quality where the figures and architectural elements project from the background. The copper has a warm, coppery-orange hue throughout the main figures and the interior architecture, including the coffered ceiling and wall panels. The background behind the figures and above the wall panels appears to be a dark, possibly greenish-black textured material, creating a contrast with the metallic foreground. Below the main scene, there is a reddish-brown textured area, likely representing the lower part of the room or drapery, adding another layer of visual interest and depth. The overall impression is one of intricate detail, with the drapery of the figures and facial expressions seemingly well-articulated despite the limitation of the medium. The copper itself shows a natural patina consistent with age, or possibly an intentional darkening in recessed areas to enhance the dimensional effect. There are no readily visible signs of significant damage like dents or severe scratches on the copper surface, though minor surface wear might be present under closer inspection. The piece is encased in a simple, rectangular wooden frame, likely made of oak or a similar light-to-medium toned wood, which appears to be in good condition with minor wear. The frame includes a matting, which is a light, possibly off-white or cream color, providing a border between the artwork and the frame. The presence of glass over the artwork protects the copper from environmental factors and dust, but also creates reflections visible in the image. This type of copper relief was popular in the mid-20th century, suggesting an estimated age from the 1950s to 1970s. The craftsmanship suggests it is a manufactured piece, likely mass-produced but still requiring skilled artistry in its creation.

AI Appraisal Report

Upon examining the provided image, I have appraised this framed copper relief of 'The Last Supper'. The piece is a well-executed example of mid-20th-century decorative art, likely from the 1950s-1970s, created using the repoussé technique on copper. The condition appears to be very good; the copper retains its warm patina without significant dents or scratches, and the wooden frame and matting are intact. The value of this piece is primarily driven by its decorative appeal rather than fine art status. These types of religious reliefs were mass-produced, making them relatively common in the market. While the craftsmanship is skilled, it is not attributable to a specific, high-value artist. The market for such items is steady but modest, appealing mainly to collectors of vintage religious decor or those seeking a specific mid-century aesthetic. The large size and good condition are positive value factors. Based on recent sales of comparable mid-century copper reliefs of 'The Last Supper', the current fair market value is established. It is important to note that this appraisal is based solely on digital images. A physical examination would be required to fully assess the condition, confirm the materials, and search for any manufacturer's marks or signatures not visible in the photographs. Without a signature or provenance, I must assume it is a manufactured decorative piece. Full authentication would involve locating a maker's mark and cross-referencing it with historical production records.

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