
Vintage Framed Lithograph of The Last Supper
This item is a framed devotional lithograph depicting 'The Last Supper,' a popular religious scene after the original mural by Leonardo da Vinci, but styled in the late 19th to early 20th-century aesthetic. The print features Jesus Christ and his twelve disciples sitting at a long table draped in a cloth that includes unusual name-labels printed along the edge of the tablecloth fabric, identifying the figures above. The color palette is rich with earthy tones, reds, and blues, showing signs of subtle fading typical of aged lithography. The print is housed in a simple, beveled rectangular wooden frame with a dark ebony or stained finish. Notable physical characteristics include the classical perspective of the architecture behind the table and the use of a golden halo effect around the central figure of Christ. Condition-wise, the frame shows minor abrasions and dust accumulation commensurate with its age (estimated early to mid-20th century). The print itself appears to have slight yellowing of the paper and potential minor foxing or moisture spots in the upper right-hand corner area. There are no visible artist signatures recognizable in the image, but the quality of the gradients suggests a mass-produced offset lithograph intended for home religious display. The craftsmanship is standard for religious ephemera of that era, utilizing a medium-density wood frame and glass protective covering.
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Estimated Value
$45-$85
Basic Information
Category
Religious Art & Collectibles
Appraised On
February 3, 2026
Estimated Value
$45-$85
Additional Details Provided By Owner
User Provided Information
Old
Item Description
This item is a framed devotional lithograph depicting 'The Last Supper,' a popular religious scene after the original mural by Leonardo da Vinci, but styled in the late 19th to early 20th-century aesthetic. The print features Jesus Christ and his twelve disciples sitting at a long table draped in a cloth that includes unusual name-labels printed along the edge of the tablecloth fabric, identifying the figures above. The color palette is rich with earthy tones, reds, and blues, showing signs of subtle fading typical of aged lithography. The print is housed in a simple, beveled rectangular wooden frame with a dark ebony or stained finish. Notable physical characteristics include the classical perspective of the architecture behind the table and the use of a golden halo effect around the central figure of Christ. Condition-wise, the frame shows minor abrasions and dust accumulation commensurate with its age (estimated early to mid-20th century). The print itself appears to have slight yellowing of the paper and potential minor foxing or moisture spots in the upper right-hand corner area. There are no visible artist signatures recognizable in the image, but the quality of the gradients suggests a mass-produced offset lithograph intended for home religious display. The craftsmanship is standard for religious ephemera of that era, utilizing a medium-density wood frame and glass protective covering.
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