Exhibition Ephemera Appraisal

Friedlaender Exhibition Poster, La Hune, June-July 1978

This item is a framed exhibition poster for artist Friedlaender, specifically for an event held in 'Juin-Juillet 1978' at 'La Hune', located at '14, rue de l'Abbaye-75006 Paris'. The poster itself is mounted on a wooden board, which serves as a backing and also creates a border around the print. The frame appears to be constructed from plain, possibly stained or varnished, light-colored wood, showing visible grain and some knots, indicating it's likely pine or a similar softwood. The poster's surface is covered with a clear resin or varnish, which gives it a glossy appearance and protects the print. This resin layer shows some signs of wear, including minor scuffs or dust specks embedded in it. The colors of the print are abstract, featuring earthy tones - browns, creams, grays, and muted greens. The composition includes layered collages or textures, with what appears to be printed text (perhaps from a newspaper or book) forming a background pattern in some areas. A distinctive central motif resembles a tiered or conical structure, possibly a stylized pagoda or roofline, created from horizontal segments that give it a textured, three-dimensional effect. There are also darker, circular and irregular shapes, and lines that suggest architectural or abstract elements. The text 'FRIEDLAENDER' is prominently displayed at the top in a sans-serif, bold, reddish-brown font. Below the main artwork, the exhibition details are listed in the same font color. The overall condition suggests some age and handling commensurate with a 1978 piece. The wooden frame exhibits some edge wear and minor imperfections. The method of framing, with direct mounting and resin coating, was a common practice in the late 1970s and early 1980s for making posters more durable and ready for display. The presence of a 'metal wire hanging back' (as per provided context) confirms its ready-to-hang nature. The poster is a testament to quality craftsmanship for display purposes of the period, converting a paper ephemeral item into a more lasting art object.