Amado Maurilio Pena Jr. - The Image of Southwest Indian Pottery II Exhibition Poster

This is a matted and framed art print by the renowned Mestizo artist Amado Maurilio Pena Jr., specifically a poster for the exhibition titled 'The Image of Southwest Indian Pottery II'. The artwork features Pena's signature stylistic elements, depicting three indigenous figures—likely inspired by his Pascua Yaqui and Mexican heritage—attending to or holding traditional Southwestern motifs and pottery jars. The central figure is shown from the back, draped in a multi-layered robe with a color palette of soft pinks, blues, and desert earth tones. Two smaller figures are positioned on the periphery in profile. The composition utilizes clean, crisp lines and smooth color gradients characteristic of Pena’s printmaking style from the late 20th century, likely the 1980s or early 1990s. The artwork includes a visible handwritten-style signature and title across the top and formal typography at the bottom margin. The piece is housed in a simple wooden frame behind glass. Condition-wise, the image shows some visible surface spots or foxing consistent with age and humidity, and the lighting in the photograph suggests possible minor fading or glare. The overall craftsmanship reflects the high-quality graphic design of Pena's commercial exhibition works meant to celebrate Native American crafts like those of the Acoma or Hopi pueblo cultures shown in the illustrated jars.

I have virtually examined this framed exhibition poster by Amado Maurilio Peña Jr., titled 'The Image of Southwest Indian Pottery II.' The work exhibits the artist’s signature graphic style, characterizing the late 20th-century aesthetic of the Southwest. Based on visual analysis, the poster appears to be a legitimate commercial exhibition print rather than a limited-edition lithograph, which limits its ceiling in the secondary market. The artist's market remains stable among regional Southwestern art collectors, though demand for unnumbered posters has softened compared to his primary hand-pulled works. A significant factor impacting this valuation is the condition; I observed visible foxing and surface spotting, likely due to moisture penetration or acidic mounting materials. These defects necessitate professional conservation or re-matting to prevent further degradation. Comparable sales for Peña exhibition posters in good condition typically fall between $300 and $450; however, the present condition issues and the standard wooden framing reduce the current liquid value. Please note that this appraisal is based on digital images alone and cannot confirm the substrate's integrity or the presence of an original signature versus a printed one. A full authentication would require an in-person inspection to verify the paper type, ink penetration, and the removal of the backing to check for hidden damage or provenance stickers. Scientific testing of the paper's acidity and examination under UV light would be required to determine the full extent of the foxing and any previous restoration efforts.