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Submitted photo · May 27, 2026

User's notes

Friedlaender juni-juillet 1978 La hune 14, rue de l’Abbeye - 75006 Paris - 325.54.06 resin on wood mental wire hanging back

AI analysis below

AI appraisal

AI analysis & estimate

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Everything below is generated by AI for informational purposes only. AI can make mistakes — the AI may misidentify items or misattribute them (artist, maker, brand, designer, origin, era). This is not an official valuation and should not be used for insurance, sale, tax, estate, legal, or lending purposes — or any decision requiring a certified appraisal. It is not an authoritative claim about any person, brand, or rights holder — do not share or rely on it as a factual statement about a third party. Always consult qualified professionals before making financial decisions.

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This analysis also relies on unverified notes provided by the user, which may be incomplete or inaccurate and could affect the result.

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AI Identification

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Friedlaender Exhibition Poster, La Hune, June-July 1978

Art Poster / Exhibition Ephemera

AI Estimated Value

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$40 - $70

As of May 27, 2026

AI Item Analysis

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This item is a framed exhibition poster for artist Friedlaender, specifically for an event held in 'Juin-Juillet 1978' at 'La Hune', located at '14, rue de l'Abbaye-75006 Paris'. The poster itself is mounted on a wooden board, which serves as a backing and also creates a border around the print. The frame appears to be constructed from plain, possibly stained or varnished, light-colored wood, showing visible grain and some knots, indicating it's likely pine or a similar softwood. The poster's surface is covered with a clear resin or varnish, which gives it a glossy appearance and protects the print. This resin layer shows some signs of wear, including minor scuffs or dust specks embedded in it. The colors of the print are abstract, featuring earthy tones - browns, creams, grays, and muted greens. The composition includes layered collages or textures, with what appears to be printed text (perhaps from a newspaper or book) forming a background pattern in some areas. A distinctive central motif resembles a tiered or conical structure, possibly a stylized pagoda or roofline, created from horizontal segments that give it a textured, three-dimensional effect. There are also darker, circular and irregular shapes, and lines that suggest architectural or abstract elements. The text 'FRIEDLAENDER' is prominently displayed at the top in a sans-serif, bold, reddish-brown font. Below the main artwork, the exhibition details are listed in the same font color. The overall condition suggests some age and handling commensurate with a 1978 piece. The wooden frame exhibits some edge wear and minor imperfections. The method of framing, with direct mounting and resin coating, was a common practice in the late 1970s and early 1980s for making posters more durable and ready for display. The presence of a 'metal wire hanging back' (as per provided context) confirms its ready-to-hang nature. The poster is a testament to quality craftsmanship for display purposes of the period, converting a paper ephemeral item into a more lasting art object.

AI Appraisal Report

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Upon examination of the provided images, this item is identified as an original exhibition poster for the artist Johnny Friedlaender, promoting a show at the La Hune gallery in Paris during June-July 1978. The poster's aesthetic, featuring an abstract composition with earthy tones and layered textures, is consistent with Friedlaender's work from this period. The item has been permanently mounted on a wooden board and coated with a clear resin, a common practice in the 1970s and 80s to create a durable, ready-to-hang art piece. The condition appears fair for its age; the resin has preserved the print, but shows minor surface scuffs and wear. The simple wood frame also exhibits some age-related imperfections. The market for Johnny Friedlaender's exhibition posters is generally modest. While he is a respected 20th-century printmaker, these posters are not as sought-after as his limited edition signed etchings. Comparable unsigned Friedlaender exhibition posters from this era typically sell in the $50 to $150 range, depending on condition and rarity. The permanent mounting and resin coating significantly impact the value; while it creates a decorative object, it is considered irreversible alteration by most paper collectors, which detracts from its value as original ephemera. Demand is primarily from interior decorators or casual fans of the artist's style rather than serious collectors. While the poster appears authentic based on the typography and design, a full authentication cannot be completed from images alone. An in-person examination would be required to assess the paper quality beneath the resin (if possible) and confirm the printing method. Without direct inspection, I cannot definitively rule out that this is a later reproduction mounted in a vintage style, though it appears consistent with an original period piece.

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