Carved Rock Crystal Guanyin Figurine
This is a detailed sculpture representing Guanyin, the Bodhisattva of Compassion, masterfully carved from a single block of natural rock crystal (clear quartz). The piece stands at several inches tall and features a combination of polished and frosted finishes. The face is delicately rendered with a serene expression, closed eyes, and a visible urna on the forehead, utilizing a frosted or sandblasted texture to create a soft, ethereal appearance that contrasts with the high-transparency of the body. The deity is depicted in flowing robes with stylized, rhythmic folds that showcase the lapidary's skill in handling hardstone. Significant craftsmanship is evident in the hair and the cowl, which frame the face. The material is of high quality, showing excellent clarity with very few visible internal inclusions or fractures. The base appears naturally irregular but polished, consistent with mid-to-late 20th-century Asian lapidary work. Condition appears excellent with no visible chips or major abrasions, though the base edge might have minor micro-flea bites common for the material. The high light refraction within the transparent sections suggests it is genuine quartz rather than molded glass.
AI-Generated Appraisal Disclaimer
Estimated Value
$1,200 - $1,800
Basic Information
Category
Asian Art / Hardstone Carvings
Appraised On
March 14, 2026
Estimated Value
$1,200 - $1,800
Item Description
This is a detailed sculpture representing Guanyin, the Bodhisattva of Compassion, masterfully carved from a single block of natural rock crystal (clear quartz). The piece stands at several inches tall and features a combination of polished and frosted finishes. The face is delicately rendered with a serene expression, closed eyes, and a visible urna on the forehead, utilizing a frosted or sandblasted texture to create a soft, ethereal appearance that contrasts with the high-transparency of the body. The deity is depicted in flowing robes with stylized, rhythmic folds that showcase the lapidary's skill in handling hardstone. Significant craftsmanship is evident in the hair and the cowl, which frame the face. The material is of high quality, showing excellent clarity with very few visible internal inclusions or fractures. The base appears naturally irregular but polished, consistent with mid-to-late 20th-century Asian lapidary work. Condition appears excellent with no visible chips or major abrasions, though the base edge might have minor micro-flea bites common for the material. The high light refraction within the transparent sections suggests it is genuine quartz rather than molded glass.
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