Carved Green Hardstone Guanyin Seated on Lotus Throne
Asian Antiques and Collectibles

Carved Green Hardstone Guanyin Seated on Lotus Throne

This is a hand-carved sculptural representation of Guanyin, the Bodhisattva of Compassion, rendered in a variegated green hardstone, likely nephrite jade or a similar regional soapstone. The figure is depicted in a meditative seated posture (dhyanasana) atop a double-layered lotus pedestal. The stone displays a mottled green coloration with significant brown iron-oxide inclusions and surface calcification, which may be intentional to simulate age or indicative of natural weathering. The carving style is somewhat rustic with broadly defined robes and a serene facial expression featuring hooded eyes and a small mouth. The hair is styled in a high bun (ushnisha) covered by a cowl. Notably, the figure holds a sacred vessel, likely a 'pure water' vase (Amrita Kalasha), which is a classic iconographic element. Regarding condition, there is visible surface wear, small chips around the base of the lotus petals, and deep staining within the incised lines of the carving. The workmanship suggests a 20th-century production, possibly imitating an archaic or Ming-style aesthetic. No visible maker’s marks or signatures are present. The quality is medium, characterized by decent proportions but lacking the fine, high-polish finish found in master-level jadeite work.

Estimated Value

$400 - $600

Basic Information

Category

Asian Antiques and Collectibles

Appraised On

December 21, 2025

Estimated Value

$400 - $600

Item Description

This is a hand-carved sculptural representation of Guanyin, the Bodhisattva of Compassion, rendered in a variegated green hardstone, likely nephrite jade or a similar regional soapstone. The figure is depicted in a meditative seated posture (dhyanasana) atop a double-layered lotus pedestal. The stone displays a mottled green coloration with significant brown iron-oxide inclusions and surface calcification, which may be intentional to simulate age or indicative of natural weathering. The carving style is somewhat rustic with broadly defined robes and a serene facial expression featuring hooded eyes and a small mouth. The hair is styled in a high bun (ushnisha) covered by a cowl. Notably, the figure holds a sacred vessel, likely a 'pure water' vase (Amrita Kalasha), which is a classic iconographic element. Regarding condition, there is visible surface wear, small chips around the base of the lotus petals, and deep staining within the incised lines of the carving. The workmanship suggests a 20th-century production, possibly imitating an archaic or Ming-style aesthetic. No visible maker’s marks or signatures are present. The quality is medium, characterized by decent proportions but lacking the fine, high-polish finish found in master-level jadeite work.

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