Framed Thai Temple Manuscript Painting on Cloth or Bark Paper
Fine Art / Asian Antiquities

Framed Thai Temple Manuscript Painting on Cloth or Bark Paper

This item is a framed Southeast Asian narrative painting, likely originating from Thailand. The artwork depicts a traditional mythological or religious scene, possibly a Jataka tale, featuring figures in ornate traditional attire, including pointed headdresses characteristic of Thai Buddhist iconography. The scene includes architectural structures and stylized foliage set against a vibrant blue and orange-hued background. The central composition is enclosed within a decorative floral border. Physically, the piece appears to be executed on a textured substrate such as hand-woven cloth or traditional bark paper, which shows significant signs of age. Notable condition issues include horizontal creasing, areas of pigment loss, and surface abrasions throughout the image, consistent with 19th or early 20th-century origins. The painting is professionally matted in an off-white textured mat and housed in a modern gold-toned metal frame with glass protection. The craftsmanship indicates a skilled hand, typical of temple mural studies or vernacular religious art. Patina is evident in the darkening of the substrate and the softening of the vegetable-based dyes or mineral pigments used. No signatures are visible, which is common for such communal religious works.

Estimated Value

$450 - $700

Basic Information

Category

Fine Art / Asian Antiquities

Appraised On

January 18, 2026

Estimated Value

$450 - $700

Item Description

This item is a framed Southeast Asian narrative painting, likely originating from Thailand. The artwork depicts a traditional mythological or religious scene, possibly a Jataka tale, featuring figures in ornate traditional attire, including pointed headdresses characteristic of Thai Buddhist iconography. The scene includes architectural structures and stylized foliage set against a vibrant blue and orange-hued background. The central composition is enclosed within a decorative floral border. Physically, the piece appears to be executed on a textured substrate such as hand-woven cloth or traditional bark paper, which shows significant signs of age. Notable condition issues include horizontal creasing, areas of pigment loss, and surface abrasions throughout the image, consistent with 19th or early 20th-century origins. The painting is professionally matted in an off-white textured mat and housed in a modern gold-toned metal frame with glass protection. The craftsmanship indicates a skilled hand, typical of temple mural studies or vernacular religious art. Patina is evident in the darkening of the substrate and the softening of the vegetable-based dyes or mineral pigments used. No signatures are visible, which is common for such communal religious works.

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