
Standing Stone Buddha on Lotus Base
A vertically-oriented stone sculpture depicting a standing Buddha figure, carved from a porous, light-gray volcanic or sedimentary stone. The figure is represented in a traditional posture, standing atop a double-lobed lotus pedestal. Physically, the sculpture features a rounded head with a prominent ushnisha (topknot) and elongated earlobes, characteristic of Buddhist iconography. The figure is clothed in flowing monastic robes that drape over the shoulders and form u-shaped folds across the torso and legs. The stone surface displays significant weathering and a coarse texture, with a natural gray hue and darker spots of patina or biological growth in the recessed areas of the carving. In terms of condition, there is a major loss to the figure's right arm (viewer's left), which appears snapped off at the elbow, and the left hand's fingers are indistinct due to erosion. The facial features, while still visible, have softened significantly over time. This piece likely dates to the 19th or early 20th century, following traditional Asian stylistic periods. The craftsmanship is folk-style, focusing on symbolic presence rather than high-realism, indicated by the robust, thick-set proportions and the generalized carving of the toes and lotus petals. No maker's marks or signatures are visible, consistent with devotional or architectural garden statuary.
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Estimated Value
$400 - $600 USD
Basic Information
Category
Asian Religious Sculpture / Antiquities
Appraised On
March 22, 2026
Estimated Value
$400 - $600 USD
Additional Details Provided By Owner
User Provided Information
Unknown artist, untitled sculpture
Item Description
A vertically-oriented stone sculpture depicting a standing Buddha figure, carved from a porous, light-gray volcanic or sedimentary stone. The figure is represented in a traditional posture, standing atop a double-lobed lotus pedestal. Physically, the sculpture features a rounded head with a prominent ushnisha (topknot) and elongated earlobes, characteristic of Buddhist iconography. The figure is clothed in flowing monastic robes that drape over the shoulders and form u-shaped folds across the torso and legs. The stone surface displays significant weathering and a coarse texture, with a natural gray hue and darker spots of patina or biological growth in the recessed areas of the carving. In terms of condition, there is a major loss to the figure's right arm (viewer's left), which appears snapped off at the elbow, and the left hand's fingers are indistinct due to erosion. The facial features, while still visible, have softened significantly over time. This piece likely dates to the 19th or early 20th century, following traditional Asian stylistic periods. The craftsmanship is folk-style, focusing on symbolic presence rather than high-realism, indicated by the robust, thick-set proportions and the generalized carving of the toes and lotus petals. No maker's marks or signatures are visible, consistent with devotional or architectural garden statuary.
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