
Oval Oil Painting on Metal of Our Lady of Sorrows
This is an antique oval religious painting executed on a thin metal substrate, likely copper or tin-plated steel, encased in a decorative gilt frame. The artwork depicts a devotional image of the Virgin Mary, commonly identified as Our Lady of Sorrows (Mater Dolorosa), rendered in a traditional Neoclassical or Romanticist style popular in the 19th century. The subject is shown with downcast eyes and a somber expression, draped in a deep blue or purple mantle with a subtle golden halo radiating behind her head. The use of metal as a support often points to European origins, specifically Spanish Colonial or Italian traditions where these 'ex-voto' or devotional plates were common. The frame is an ornate oval with a gold-leaf or gilt finish, featuring a stylized ribbon or bow crest at the top apex. Physical condition shows visible signs of age including surface oxidation or 'foxing' to the metal plate, resulting in some micro-pitting and discoloration consistent with moisture exposure over time. The gilt frame exhibits minor abrasions, thinning of the gold finish on high points, and some accumulated dust in the carved recesses. The craftsmanship suggests a high level of skill in the blending of pigments on a non-porous surface, achieving soft transitions in the skin tones despite the technical difficulty of the medium.
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Estimated Value
$1,200 - $1,800
Basic Information
Category
Fine Art / Religious Antiques
Appraised On
May 2, 2026
Estimated Value
$1,200 - $1,800
Additional Details Provided By Owner
User Provided Information
Painting on metal
Item Description
This is an antique oval religious painting executed on a thin metal substrate, likely copper or tin-plated steel, encased in a decorative gilt frame. The artwork depicts a devotional image of the Virgin Mary, commonly identified as Our Lady of Sorrows (Mater Dolorosa), rendered in a traditional Neoclassical or Romanticist style popular in the 19th century. The subject is shown with downcast eyes and a somber expression, draped in a deep blue or purple mantle with a subtle golden halo radiating behind her head. The use of metal as a support often points to European origins, specifically Spanish Colonial or Italian traditions where these 'ex-voto' or devotional plates were common. The frame is an ornate oval with a gold-leaf or gilt finish, featuring a stylized ribbon or bow crest at the top apex. Physical condition shows visible signs of age including surface oxidation or 'foxing' to the metal plate, resulting in some micro-pitting and discoloration consistent with moisture exposure over time. The gilt frame exhibits minor abrasions, thinning of the gold finish on high points, and some accumulated dust in the carved recesses. The craftsmanship suggests a high level of skill in the blending of pigments on a non-porous surface, achieving soft transitions in the skin tones despite the technical difficulty of the medium.
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