
Spanish Colonial Style Archangel Oil Painting
This item is an oil-on-canvas or oil-on-panel painting depicting a winged archangel, likely Michael or Uriel, holding a flaming sword. The piece is characteristic of the Spanish Colonial or 'Cuzco School' style, which thrived in Peru and Bolivia during the 17th and 18th centuries. The figure is rendered in a stylized, somewhat folk-art manner, wearing elaborate courtly attire including a green patterned skirt, an ochre tunic, and flowing red drapery. The angel possesses large, dark wings and is set against a landscape background under a stormy sky. The medium shows signs of aging, including visible craquelure and possible surface grime. The painting is housed in a very substantial, deep-relief hand-carved wooden frame with an aged gold leaf or 'estofado' finish. The frame features intricate floral and foliate (scrollwork) motifs, which are characteristic of Baroque influence. Condition-wise, the frame shows a heavy patina with some chipping to the gesso and gilding, particularly along the lower edges and corners, revealing the wood beneath. The craftsmanship indicates a regional devotional work meant for a church or a private chapel. The bold colors and dramatic subject matter are typical of 18th-century Andean religious art.
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Estimated Value
$4,500 - $6,500
Basic Information
Category
Fine Art / Religious Antiques
Appraised On
April 13, 2026
Estimated Value
$4,500 - $6,500
Item Description
This item is an oil-on-canvas or oil-on-panel painting depicting a winged archangel, likely Michael or Uriel, holding a flaming sword. The piece is characteristic of the Spanish Colonial or 'Cuzco School' style, which thrived in Peru and Bolivia during the 17th and 18th centuries. The figure is rendered in a stylized, somewhat folk-art manner, wearing elaborate courtly attire including a green patterned skirt, an ochre tunic, and flowing red drapery. The angel possesses large, dark wings and is set against a landscape background under a stormy sky. The medium shows signs of aging, including visible craquelure and possible surface grime. The painting is housed in a very substantial, deep-relief hand-carved wooden frame with an aged gold leaf or 'estofado' finish. The frame features intricate floral and foliate (scrollwork) motifs, which are characteristic of Baroque influence. Condition-wise, the frame shows a heavy patina with some chipping to the gesso and gilding, particularly along the lower edges and corners, revealing the wood beneath. The craftsmanship indicates a regional devotional work meant for a church or a private chapel. The bold colors and dramatic subject matter are typical of 18th-century Andean religious art.
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