
17th Century Spanish Colonial Polychrome Wood Santos Figurine
This is a significant polychrome wooden sculpture, likely depicting a young saint or Christ Child, originating from Spain during the 17th century or possibly earlier. The figure is carved in the round with a high degree of craftsmanship, specifically in the fluid rendering of the heavy, draped ecclesiastical garments. The piece shows evidence of original polychromy—specifically gesso and tempera or oil paint—though much of the surface has weathered away to reveal the dark, aged wood beneath. Significant structural wear is present, including heavy pitting, woodworm damage (historical), and losses to the extremities (missing hands and partial feet). This level of erosion is typical for church relics stored in humid stone environments. The figure stands on a modern rectangular wooden plinth for stability. The facial features remain remarkably soft yet defined, suggesting a skilled workshop. The dark, encrusted patina and the specific 'S-curve' contrapposto of the body are hallmark indicators of the Spanish Baroque style. It is a poignant example of devotio moderna religious art, holding immense character despite the extensive surface degradation and missing components.
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Estimated Value
$3,500 - $5,500
Basic Information
Category
Religious Antiques / Spanish Colonial Sculpture
Appraised On
February 2, 2026
Estimated Value
$3,500 - $5,500
Additional Details Provided By Owner
User Provided Information
Came from a church in Spain from the 1600s or older
Item Description
This is a significant polychrome wooden sculpture, likely depicting a young saint or Christ Child, originating from Spain during the 17th century or possibly earlier. The figure is carved in the round with a high degree of craftsmanship, specifically in the fluid rendering of the heavy, draped ecclesiastical garments. The piece shows evidence of original polychromy—specifically gesso and tempera or oil paint—though much of the surface has weathered away to reveal the dark, aged wood beneath. Significant structural wear is present, including heavy pitting, woodworm damage (historical), and losses to the extremities (missing hands and partial feet). This level of erosion is typical for church relics stored in humid stone environments. The figure stands on a modern rectangular wooden plinth for stability. The facial features remain remarkably soft yet defined, suggesting a skilled workshop. The dark, encrusted patina and the specific 'S-curve' contrapposto of the body are hallmark indicators of the Spanish Baroque style. It is a poignant example of devotio moderna religious art, holding immense character despite the extensive surface degradation and missing components.
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