Chinese Blanc de Chine Guanyin Figurine
Asian Art and Antiquities - Porcelain

Chinese Blanc de Chine Guanyin Figurine

This item is a seated figurine of Guanyin, the Bodhisattva of Compassion, or 'Goddess of Mercy,' crafted in the 'Blanc de Chine' (Dehua porcelain) style from China. The figure is depicted in a seated position atop a stylized rockwork base, which is characteristic of traditional Dehua porcelain craftsmanship. The material appears to be a fine-grained, cream-colored porcelain with a lustrous, translucent glaze that gives it a warm, milky white finish. The construction demonstrates intricate molding and hand-finishing, seen in the fluid, draped robes that cascade down the figure's body and the delicate facial features that convey a sense of serenity. Notable features include the elaborate headdress and the placement of the hands, potentially holding a lotus or willow branch, though the image quality makes small details difficult to confirm definitively. The figure is mounted on a carved dark wood stand, likely rosewood or mahogany, which provides a stark contrast to the white porcelain and adds to its presentational value. Regarding condition, the porcelain appears intact with no major visible structural cracks or large chips, though a close inspection would be required to rule out minor fleabites or professional repairs. The style suggests it could be a 20th-century piece made in the tradition of earlier Qing dynasty (1644–1912) models. The craftsmanship is evidenced by the deep undercutting of the drapery and the smooth, glass-like surface of the glaze, which are hallmarks of quality Dehua production.

Estimated Value

$450 - $700

Basic Information

Category

Asian Art and Antiquities - Porcelain

Appraised On

March 26, 2026

Estimated Value

$450 - $700

Item Description

This item is a seated figurine of Guanyin, the Bodhisattva of Compassion, or 'Goddess of Mercy,' crafted in the 'Blanc de Chine' (Dehua porcelain) style from China. The figure is depicted in a seated position atop a stylized rockwork base, which is characteristic of traditional Dehua porcelain craftsmanship. The material appears to be a fine-grained, cream-colored porcelain with a lustrous, translucent glaze that gives it a warm, milky white finish. The construction demonstrates intricate molding and hand-finishing, seen in the fluid, draped robes that cascade down the figure's body and the delicate facial features that convey a sense of serenity. Notable features include the elaborate headdress and the placement of the hands, potentially holding a lotus or willow branch, though the image quality makes small details difficult to confirm definitively. The figure is mounted on a carved dark wood stand, likely rosewood or mahogany, which provides a stark contrast to the white porcelain and adds to its presentational value. Regarding condition, the porcelain appears intact with no major visible structural cracks or large chips, though a close inspection would be required to rule out minor fleabites or professional repairs. The style suggests it could be a 20th-century piece made in the tradition of earlier Qing dynasty (1644–1912) models. The craftsmanship is evidenced by the deep undercutting of the drapery and the smooth, glass-like surface of the glaze, which are hallmarks of quality Dehua production.

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