
Dehua Blanc de Chine Figurine of Manjushri on a Shishi
This is a white glazed porcelain figurine, commonly referred to as Blanc de Chine or Dehua ware, depicting a Buddhist deity, likely Manjushri (Wenshu Pusa), seated atop a Shishi (guardian lion or Foo Dog). The piece features a high-gloss monochromatic creamy white glaze characteristic of mid-to-late 20th-century Dehua production. The human figure is shown in traditional flowing robes with a topknot hairstyle, holding what appears to be a scroll. The Shishi underneath is depicted with a wide, open-mouthed snarl, stylized curly mane, and detailed musculature. The craftsmanship shows standard mold-poured characteristics with some manual finishing in the finer drapery folds and facial features. Structurally, the piece stands approximately 8 to 10 inches tall. The condition appears fair to good, with no immediately visible large cracks, though fine crazing or minor firing defects are common in such porcelain. There is some visible surface grime and dust consistent with long-term storage. The base is likely unglazed, which is typical for this style. This specific aesthetic suggests a mid-20th century export piece imitating the classic Ming or Qing dynasty styles originating from the Fujian province.
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Estimated Value
$250 - $400
Basic Information
Category
Asian Art & Antiquities - Ceramics
Appraised On
December 26, 2025
Estimated Value
$250 - $400
Item Description
This is a white glazed porcelain figurine, commonly referred to as Blanc de Chine or Dehua ware, depicting a Buddhist deity, likely Manjushri (Wenshu Pusa), seated atop a Shishi (guardian lion or Foo Dog). The piece features a high-gloss monochromatic creamy white glaze characteristic of mid-to-late 20th-century Dehua production. The human figure is shown in traditional flowing robes with a topknot hairstyle, holding what appears to be a scroll. The Shishi underneath is depicted with a wide, open-mouthed snarl, stylized curly mane, and detailed musculature. The craftsmanship shows standard mold-poured characteristics with some manual finishing in the finer drapery folds and facial features. Structurally, the piece stands approximately 8 to 10 inches tall. The condition appears fair to good, with no immediately visible large cracks, though fine crazing or minor firing defects are common in such porcelain. There is some visible surface grime and dust consistent with long-term storage. The base is likely unglazed, which is typical for this style. This specific aesthetic suggests a mid-20th century export piece imitating the classic Ming or Qing dynasty styles originating from the Fujian province.
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