
Japanese Satsuma-Style Gilt Porcelain Baluster Vase
This is a decorative porcelain vase in the Satsuma style, featuring a classic baluster form with a flared rim and a pedestal-style foot. The piece is heavily ornamented with 'moriage' (raised enamel) techniques and extensive gilding. The primary design consists of dense floral patterns, including peonies and chrysanthemums, in a rich palette of iron-red, cobalt blue, and green over a dark, textured charcoal-black background. A prominent feature is the pair of gilded dimensional lion-head handles (shishi) holding fixed rings positioned on the neck. The central body features a framed cartouche containing what appears to be a landscape or character scene, bordered by delicate gold beading. The construction suggests it is a mid-to-late 20th-century ceramic export, possibly from the Showa era, rather than an antique Meiji-period piece. In terms of condition, there is visible wear to the gilding on the rim and lion-head handles, along with characteristic light crazing in the glaze. The base shows a geometric decorative band typical of mass-produced Satsuma revival wares. No maker's mark is visible from this angle, but the quality of the application suggests factory-controlled craftsmanship intended for the decorative export market.
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Estimated Value
$45-85
Basic Information
Category
Asian Art & Antiquities - Ceramics
Appraised On
February 14, 2026
Estimated Value
$45-85
Item Description
This is a decorative porcelain vase in the Satsuma style, featuring a classic baluster form with a flared rim and a pedestal-style foot. The piece is heavily ornamented with 'moriage' (raised enamel) techniques and extensive gilding. The primary design consists of dense floral patterns, including peonies and chrysanthemums, in a rich palette of iron-red, cobalt blue, and green over a dark, textured charcoal-black background. A prominent feature is the pair of gilded dimensional lion-head handles (shishi) holding fixed rings positioned on the neck. The central body features a framed cartouche containing what appears to be a landscape or character scene, bordered by delicate gold beading. The construction suggests it is a mid-to-late 20th-century ceramic export, possibly from the Showa era, rather than an antique Meiji-period piece. In terms of condition, there is visible wear to the gilding on the rim and lion-head handles, along with characteristic light crazing in the glaze. The base shows a geometric decorative band typical of mass-produced Satsuma revival wares. No maker's mark is visible from this angle, but the quality of the application suggests factory-controlled craftsmanship intended for the decorative export market.
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