"Athens: The Temple of Jupiter Olympias" 19th-Century Copperplate Engraving

This item is an antique black-and-white copperplate engraving depicting the ruins of the Temple of Olympian Zeus in Athens. The central image features a vignetted landscape composed of fine stippling and cross-hatching, showing the surviving Corinthian columns of the temple with the Acropolis visible in the background. The foreground is populated with figures in period dress, including riders on horseback. Printed on cream-toned paper, the bottom left margin is inscribed "Dessiné par M. le C.te de Choiseul-Gouffier" (Drawn by the Count of Choiseul-Gouffier), and the bottom right margin is inscribed "Gravé par Schroeder 1822" (Engraved by Schroeder 1822). The central title reads "Athens - The temple of jupiter Olympias". This specific print originates from the 1822 edition of "Voyage Pittoresque de la Grèce" by Marie-Gabriel-Florent-Auguste de Choiseul-Gouffier. The print is currently mounted on a secondary black matte featuring a wide, ornate gilded rectangular border with neoclassical acanthus leaf scrolls and a Greek key inner frame. The paper shows mild age-related toning but appears well-preserved with sharp impressions. There are no major visible tears or foxing, although the right edge of the paper appears slightly irregular, suggesting it may have been harvested from an original folio binding. The craftsmanship reflects the high-quality technical skill of early 19th-century French architectural illustration.

This engraving, 'Athens - The Temple of Jupiter Olympias' (1822), is a fine specimen from Choiseul-Gouffier’s seminal 'Voyage Pittoresque de la Grèce'. Upon visual inspection, the plate shows high-quality stippling and sharp impressions characteristic of the Schroeder engraving. The cream-toned paper exhibits mild, stable toning consistent with 19th-century organic fibers. The irregular edge confirms its origin from a folio binding, which is standard for this series. The presentation is significantly enhanced by an ornate neoclassical gilded matte, which provides substantial decorative appeal and reflects the aesthetic value of the Greek Revival movement. Market demand for early 19th-century Greek topographical views remains steady among both collectors of Grand Tour memorabilia and architectural enthusiasts. Comparables for individual plates from this edition typically sell between $200 and $400 unframed; however, the superior condition and high-end archival-style framing of this piece elevate its market value. Note that while the typography and technique indicate authenticity, a full verification requires physical inspection to confirm the presence of a watermark (such as 'J. Whatman') and to ensure the matte is acid-free to prevent future foxing. Without a microscopic analysis of the ink-to-paper absorption and paper thickness (measured in microns), I cannot definitively rule out high-quality 20th-century lithographic reproductions, though the plate marks visible in the imagery strongly suggest an original 1822 copperplate strike.