
Chinese Reverse Glass Painting of a Lady with a Pipa
This is a vintage Chinese reverse glass painting, a technique where pigments are applied to the back of a glass pane to be viewed from the front. The image depicts a classic 'Meiren' (beautiful woman) seated on a ceramic garden stool, playing a Pipa (lute). She is dressed in traditional Qing-style robes in shades of light blue and seafoam green, accented with orange Greek key borders and intricate blue patterned trim. Her hair is styled in an elegant chignon with a red tassel ornament. Beside her is a yellow draped table holding a blue vase. The background is a solid, slightly mottled slate blue. The painting is housed in a contemporary two-tone wooden frame with a dark inner lip and a warmer cherry-finished outer molding. The execution shows stylized, linear brushwork typical of mid-to-late 20th-century decorative export art. There are no visible maker's marks or signatures on the face of the work. Condition-wise, the glass appears intact, though there is some light surface dust and minor scuffing on the wooden frame. The colors remain vibrant with no significant flaking of the pigment, which is common in older examples of this medium. The overall craftsmanship suggests a high-quality decorative piece following late Qing Dynasty aesthetic traditions.
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Estimated Value
$400 - $600
Basic Information
Category
Asian Art & Antiques / Chinese Paintings
Appraised On
April 12, 2026
Estimated Value
$400 - $600
Item Description
This is a vintage Chinese reverse glass painting, a technique where pigments are applied to the back of a glass pane to be viewed from the front. The image depicts a classic 'Meiren' (beautiful woman) seated on a ceramic garden stool, playing a Pipa (lute). She is dressed in traditional Qing-style robes in shades of light blue and seafoam green, accented with orange Greek key borders and intricate blue patterned trim. Her hair is styled in an elegant chignon with a red tassel ornament. Beside her is a yellow draped table holding a blue vase. The background is a solid, slightly mottled slate blue. The painting is housed in a contemporary two-tone wooden frame with a dark inner lip and a warmer cherry-finished outer molding. The execution shows stylized, linear brushwork typical of mid-to-late 20th-century decorative export art. There are no visible maker's marks or signatures on the face of the work. Condition-wise, the glass appears intact, though there is some light surface dust and minor scuffing on the wooden frame. The colors remain vibrant with no significant flaking of the pigment, which is common in older examples of this medium. The overall craftsmanship suggests a high-quality decorative piece following late Qing Dynasty aesthetic traditions.
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