
A. Petti Majolica Style Relief Goose Motif Vase
This is a large, ceramic figural vase featuring a high-relief (bas-relief) design of three geese or waterfowl in flight. The piece is crafted with a white-glazed background, showcasing a flattened, shield-like circular form with a rectangular top opening. The birds are rendered in various shades of brown, tan, and cream with dark gray accents on the heads and wingtips, set against slender green blades of marsh grass. The glaze is a high-gloss finish typical of mid-to-late 20th-century decorative ceramics. Based on the provided context, the bottom is etched with the signature 'A. Petti'. The construction shows heavy molding with hand-painted details over the relief. Condition-wise, the glaze appears vibrant with no immediate visible cracks or large chips on the face, though slight crazing and minor surface abrasions consistent with shelf wear or age are likely. The style is reminiscent of mid-century Italian or American studio pottery that emulates classic European majolica. The craftsmanship is evident in the dynamic posing of the geese, which gives the static object a sense of movement. Estimated to be from the 1970s-1980s.
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Estimated Value
$150 - $250
Basic Information
Category
Decorative Arts / Studio Pottery
Appraised On
May 3, 2026
Estimated Value
$150 - $250
Additional Details Provided By Owner
User Provided Information
By A. Petti etched on bottom
Item Description
This is a large, ceramic figural vase featuring a high-relief (bas-relief) design of three geese or waterfowl in flight. The piece is crafted with a white-glazed background, showcasing a flattened, shield-like circular form with a rectangular top opening. The birds are rendered in various shades of brown, tan, and cream with dark gray accents on the heads and wingtips, set against slender green blades of marsh grass. The glaze is a high-gloss finish typical of mid-to-late 20th-century decorative ceramics. Based on the provided context, the bottom is etched with the signature 'A. Petti'. The construction shows heavy molding with hand-painted details over the relief. Condition-wise, the glaze appears vibrant with no immediate visible cracks or large chips on the face, though slight crazing and minor surface abrasions consistent with shelf wear or age are likely. The style is reminiscent of mid-century Italian or American studio pottery that emulates classic European majolica. The craftsmanship is evident in the dynamic posing of the geese, which gives the static object a sense of movement. Estimated to be from the 1970s-1980s.
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