
Classical Allegorical Copperplate Engraving
This item is an antique copperplate engraving on paper, depicting a complex classical allegorical scene typical of the late 17th or early 18th century. The central focus is a large pedestal with Latin inscriptions, topped by a reclining male figure surrounded by deities and putti under a swag of drapery and laurel branches. The composition is populated by numerous figures in Greco-Roman attire, including soldiers in armor and female figures representing various virtues or muses. The print is executed in a monochromatic black-and-grey palette with fine cross-hatching and stippling techniques to create depth and shadow. The work displays characteristics of the Baroque or Neoclassical periods, likely originating from Italy or France. Regarding condition, there is visible moisture staining and foxing concentrated in the upper-right and lower-left margins of the mat and possibly the print itself. The paper shows signs of age-related yellowing and potential waviness, suggesting it has been exposed to humidity. The frame is a simple, dark wood moulding that appears to be of a later vintage than the print. Significant text blocks in cartouches at the base provide further context, likely dedicating the work to a patron or explaining the iconography. The fine detail in the musculature and drapery suggests a high level of technical skill from the engraver.
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Estimated Value
$450 - $700
Basic Information
Category
Antique Prints and Artworks
Appraised On
December 27, 2025
Estimated Value
$450 - $700
Item Description
This item is an antique copperplate engraving on paper, depicting a complex classical allegorical scene typical of the late 17th or early 18th century. The central focus is a large pedestal with Latin inscriptions, topped by a reclining male figure surrounded by deities and putti under a swag of drapery and laurel branches. The composition is populated by numerous figures in Greco-Roman attire, including soldiers in armor and female figures representing various virtues or muses. The print is executed in a monochromatic black-and-grey palette with fine cross-hatching and stippling techniques to create depth and shadow. The work displays characteristics of the Baroque or Neoclassical periods, likely originating from Italy or France. Regarding condition, there is visible moisture staining and foxing concentrated in the upper-right and lower-left margins of the mat and possibly the print itself. The paper shows signs of age-related yellowing and potential waviness, suggesting it has been exposed to humidity. The frame is a simple, dark wood moulding that appears to be of a later vintage than the print. Significant text blocks in cartouches at the base provide further context, likely dedicating the work to a patron or explaining the iconography. The fine detail in the musculature and drapery suggests a high level of technical skill from the engraver.
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