AI identification & appraisal estimate

Gossip and Satan Came Also by George A. Wotherspoon

Submitted photo of Gossip and Satan Came Also by George A. Wotherspoon
Photo submitted by the user — not generated by AI

User's notes

Gossip and Satan came also an engraving done by GOA spoon printed house of Art, New York

These notes were written by the person who submitted this item. Appraiser.AI has not verified them, and the AI's identification and estimate may rely on them.

AI Estimated Value

Not an official valuation

$75 - $150

AI estimate as of May 7, 2026 · verify with a professional before acting

AI-Generated · Verify before acting

Everything on this page is generated by AI for informational purposes only. AI can make mistakes — the AI may misidentify items or misattribute them (artist, maker, brand, designer, origin, era). This is not an official valuation and should not be used for insurance, sale, tax, estate, legal, or lending purposes — or any decision requiring a certified appraisal. It is not an authoritative claim about any person, brand, or rights holder — do not share or rely on it as a factual statement about a third party. Always consult qualified professionals before making financial decisions.

This analysis also relies on unverified notes provided by the user, which may be incomplete or inaccurate and could affect the result.

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AI Item Analysis

This item is an optical illusion lithograph / print titled 'Gossip' with the subtitle 'And Satan Came Also.' The artwork was originally created by George A. Wotherspoon (whose signature appears in the lower left) and is a notable example of early 20th-century visual trickery. The image depicts two Gibson-style women of the Victorian/Edwardian era standing close together talking, with their dark clothing and the negative space forming the shape of a large, horned demonic head or skull. The print is monochrome, executed in shades of charcoal black and gray on a cream-toned paper. This specific print bears the marking 'House of Art, N.Y.' in the lower right and 'Published by Art-Lore, Inc. N.Y.' at the top, dating it to approximately the early 1900s to 1920s. The material appears to be heavy paper or cardstock housed in a simple dark wood frame. The condition shows age-related yellowing (toning) of the paper and minor scuffing on the frame's finish. The composition relies on clever manipulation of shadows and form to create a double image, reflecting a popular artistic trend of the period that moralized social behavior through visual metaphor.

AI Appraisal Report

Based on the visual evidence provided, I have examined this vintage lithograph titled 'Gossip: And Satan Came Also' by George A. Wotherspoon. The artwork is a classic early 20th-century optical illusion, depicting two Victorian/Edwardian women conversing, whose silhouettes and negative space form a demonic face. The piece bears the publishing marks of 'House of Art, N.Y.' and 'Art-Lore, Inc. N.Y.,' which properly aligns its production with the 1900s–1920s era. Upon visual inspection of the images, the print exhibits typical age-related toning and yellowing to the paper, which is expected and acceptable for parlor prints of this age. The simple dark wood frame shows minor scuffing. These items were mass-produced as novelty or parlor art during their time, meaning they are not exceedingly rare, but they maintain a steady collector base due to the enduring appeal of optical illusions and macabre Victorian themes. In the current market, similar Wotherspoon 'Gossip' prints in comparable condition typically sell between $75 and $150 at auction and in retail antique settings. The value is largely decorative and driven by condition. Please note that this appraisal is based strictly on photographic evidence. While the print appears to be an authentic period lithograph, a definitive authentication would require an in-person examination to assess the paper's matrix, printing technique (to rule out modern photomechanical reproduction), and to examine beneath the frame for hidden damage, trimming, or acid burn. For full authentication, physical inspection of the substrate and ink under magnification is required.

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