
Signed Hand-Colored Etching of a European Cityscape (Possible German/Northern European city)
This item is a framed, hand-colored etching or lithographic print depicting a panoramic view of a historic European cityscape. The artwork features a river in the foreground with small boats and a bridge to the left, while the skyline is dominated by numerous church spires and gothic architecture, reminiscent of cities like Hamburg, Copenhagen, or Stockholm. The composition utilizes a muted palette of greens, browns, and pale blues, characteristic of mid-20th-century topographical prints. The print is executed on paper with visible handwritten pencil inscriptions in the lower margin; the signature on the right appears to be 'W. Weber' or a similar German name, implying a mid-to-late 20th-century production date. The print is mounted with a wide white mat and protected by glass. Regarding condition, the paper shows signs of light toning or yellowing consistent with age, and there are several prominent white reflections from the camera flash on the glass surface which obscure fine details of the ink and paper texture. The frame and matting appear contemporary to the latter half of the 20th century. The level of detail in the architecture suggests a skilled hand-rendering or an etching process followed by watercolor washes. No significant foxing or water damage is immediately visible, though the paper edges are hidden by the mat. This type of work was common as a high-quality souvenir or decorative art for professional offices and homes in Europe.
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Estimated Value
$150-$250
Basic Information
Category
Fine Art Prints and Engravings
Appraised On
February 12, 2026
Estimated Value
$150-$250
Item Description
This item is a framed, hand-colored etching or lithographic print depicting a panoramic view of a historic European cityscape. The artwork features a river in the foreground with small boats and a bridge to the left, while the skyline is dominated by numerous church spires and gothic architecture, reminiscent of cities like Hamburg, Copenhagen, or Stockholm. The composition utilizes a muted palette of greens, browns, and pale blues, characteristic of mid-20th-century topographical prints. The print is executed on paper with visible handwritten pencil inscriptions in the lower margin; the signature on the right appears to be 'W. Weber' or a similar German name, implying a mid-to-late 20th-century production date. The print is mounted with a wide white mat and protected by glass. Regarding condition, the paper shows signs of light toning or yellowing consistent with age, and there are several prominent white reflections from the camera flash on the glass surface which obscure fine details of the ink and paper texture. The frame and matting appear contemporary to the latter half of the 20th century. The level of detail in the architecture suggests a skilled hand-rendering or an etching process followed by watercolor washes. No significant foxing or water damage is immediately visible, though the paper edges are hidden by the mat. This type of work was common as a high-quality souvenir or decorative art for professional offices and homes in Europe.
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