
Pair of Blanc de Chine Guanyin Porcelain Figurines
This is a pair of vintage Chinese figurines, consistently styled in the 'Blanc de Chine' (Dehua porcelain) tradition, depicting the bodhisattva Guanyin. Each figure stands approximately 10 to 12 inches tall and is crafted from a creamy, off-white porcelain with a soft matte or eggshell finish. The figures are depicted in flowing, traditional robes that convey a sense of movement, standing atop ornate circular lotus pedestals with scalloped detailing. Notable features include finely detailed facial features, high topknot hairstyles (chignons), and delicate beaded necklaces with cross-like pendants. One figure holds a long-stemmed lotus flower, a symbol of purity. The craftsmanship shows intricate molding, particularly in the deep folds of the drapery and the serene expressions. In terms of condition, the figures appear physically intact without large visible chips or cracks from this distance, though a fine layer of surface dust and minor age-related patina are present. There are no immediately visible maker's marks or signatures on the exterior, which is common for mid-20th-century decorative pieces of this style. These likely date to the mid-to-late 20th century, reflecting a neoclassical revival of Ming Dynasty aesthetics. The uniformity of the pair suggests they were manufactured as a matching set for export or domestic decorative use, characterized by high-quality slip-casting and hand-finishing.
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Estimated Value
$150 - $250
Basic Information
Category
Asian Decorative Arts / Porcelain
Appraised On
December 20, 2025
Estimated Value
$150 - $250
Item Description
This is a pair of vintage Chinese figurines, consistently styled in the 'Blanc de Chine' (Dehua porcelain) tradition, depicting the bodhisattva Guanyin. Each figure stands approximately 10 to 12 inches tall and is crafted from a creamy, off-white porcelain with a soft matte or eggshell finish. The figures are depicted in flowing, traditional robes that convey a sense of movement, standing atop ornate circular lotus pedestals with scalloped detailing. Notable features include finely detailed facial features, high topknot hairstyles (chignons), and delicate beaded necklaces with cross-like pendants. One figure holds a long-stemmed lotus flower, a symbol of purity. The craftsmanship shows intricate molding, particularly in the deep folds of the drapery and the serene expressions. In terms of condition, the figures appear physically intact without large visible chips or cracks from this distance, though a fine layer of surface dust and minor age-related patina are present. There are no immediately visible maker's marks or signatures on the exterior, which is common for mid-20th-century decorative pieces of this style. These likely date to the mid-to-late 20th century, reflecting a neoclassical revival of Ming Dynasty aesthetics. The uniformity of the pair suggests they were manufactured as a matching set for export or domestic decorative use, characterized by high-quality slip-casting and hand-finishing.
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