Mid-Century Chinoiserie Tiered Telephone or Step Table
Furniture / Asian Decorative Arts

Mid-Century Chinoiserie Tiered Telephone or Step Table

This is a two-tiered Chinoiserie-style side table, often referred to as a telephone or step table, likely dating from the mid-20th century (circa 1950s-1960s). The piece is constructed from a dark-stained wood, possibly cherry or mahogany, featuring traditional Ming-style curved horsehoof feet and a carved apron with a circular Shou longevity symbol. The primary distinguishing feature is the lower tier's inset panel, which displays a vibrant red lacquer-style field decorated with hand-painted soapstone or mother-of-pearl carved figures in traditional Chinese attire, accented with floral and landscape motifs. The upper tier provides a smaller, functional surface supported by curved side brackets. In terms of condition, the wood shows a glossy finish with minor surface abrasions and some edge wear consistent with age and use. The decorative panel appears intact, though the high-gloss protective coating over the red field shows some minor scuffing. The overall craftsmanship suggests a mass-produced piece designed for the Western market during the mid-century craze for 'Oriental' exoticism, blending traditional Eastern decorative elements with functional American furniture silhouettes.

Estimated Value

$450 - $650

Basic Information

Category

Furniture / Asian Decorative Arts

Appraised On

December 27, 2025

Estimated Value

$450 - $650

Item Description

This is a two-tiered Chinoiserie-style side table, often referred to as a telephone or step table, likely dating from the mid-20th century (circa 1950s-1960s). The piece is constructed from a dark-stained wood, possibly cherry or mahogany, featuring traditional Ming-style curved horsehoof feet and a carved apron with a circular Shou longevity symbol. The primary distinguishing feature is the lower tier's inset panel, which displays a vibrant red lacquer-style field decorated with hand-painted soapstone or mother-of-pearl carved figures in traditional Chinese attire, accented with floral and landscape motifs. The upper tier provides a smaller, functional surface supported by curved side brackets. In terms of condition, the wood shows a glossy finish with minor surface abrasions and some edge wear consistent with age and use. The decorative panel appears intact, though the high-gloss protective coating over the red field shows some minor scuffing. The overall craftsmanship suggests a mass-produced piece designed for the Western market during the mid-century craze for 'Oriental' exoticism, blending traditional Eastern decorative elements with functional American furniture silhouettes.

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