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French Gilt Bronze Mounted Blue and White Chinese Export Style Porcelain Vase
This item is an ornate porcelain vase featuring a blue and white underglaze decoration, heavily adorned with French-style ormolu (gilt bronze) mounts. The vase has a baluster or meiping-inspired form with a faceted, hexagonal body. It is decorated with cartouche panels containing traditional landscape scenes with pagodas, mountains, and water, surrounded by scrolling floral and foliate motifs. The top is fitted with an elaborate gilt bronze rim or collar featuring scrolled handles and vertical ribbing, while the base sits on a cast bronze foot with scrolling acanthus leaf feet. The porcelain appears to be a 19th or early 20th-century European imitation of Chinese export ware, likely Samson of Paris or a similar high-quality French workshop. The glaze shows a bright white ground with varying shades of cobalt blue. Notable condition issues include visible surface grime, some darkening or oxidation to the bronze mounts (patina), and potential historical adhesive or mounting remnants where the metal meets the porcelain. The craftsmanship is of high quality, indicative of the 19th-century taste for 'Chinoiserie' luxury goods used in European interior decoration.
Estimated Value
$1,800 - $2,500
Basic Information
Category
Antique Decorative Arts / Ceramics
Appraised On
May 15, 2026
Estimated Value
$1,800 - $2,500
Item Description
This item is an ornate porcelain vase featuring a blue and white underglaze decoration, heavily adorned with French-style ormolu (gilt bronze) mounts. The vase has a baluster or meiping-inspired form with a faceted, hexagonal body. It is decorated with cartouche panels containing traditional landscape scenes with pagodas, mountains, and water, surrounded by scrolling floral and foliate motifs. The top is fitted with an elaborate gilt bronze rim or collar featuring scrolled handles and vertical ribbing, while the base sits on a cast bronze foot with scrolling acanthus leaf feet. The porcelain appears to be a 19th or early 20th-century European imitation of Chinese export ware, likely Samson of Paris or a similar high-quality French workshop. The glaze shows a bright white ground with varying shades of cobalt blue. Notable condition issues include visible surface grime, some darkening or oxidation to the bronze mounts (patina), and potential historical adhesive or mounting remnants where the metal meets the porcelain. The craftsmanship is of high quality, indicative of the 19th-century taste for 'Chinoiserie' luxury goods used in European interior decoration.
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