
Seated Buddha Statue in Dhyana Mudra
This is a sculptural representation of a seated Buddha, likely Shakyamuni, depicted in the Dhyana Mudra (meditation gesture) with hands folded in the lap. The figure is shown in a full lotus position (padmasana). Based on its silhouette and surfacing, the piece appears to be made of a cast material such as bronze, resin, or dark-toned stone like basalt or volcanic rock. It features a traditional ushnisha (topknot) and tightly curled hair. The figure is draped in a monastic robe that covers both shoulders, with visible rhythmic pleating across the arms and legs. Given the uniform dark finish and the soft rendering of the facial features visible despite the backlighting, this is likely a contemporary or mid-20th-century decorative export piece inspired by Southeast Asian (possibly Thai or Indonesian Borobudur style) or East Asian Buddhist art. The surface appears to have a matte, slightly textured patina with some minor accumulation of dust in the recessed folds of the drapery. There are no obvious signs of major structural damage, missing limbs, or significant oxidation, suggesting it has been kept in a stable indoor environment. The craftsmanship shows a standardized commercial quality rather than the intricate detailing found in antique ritual bronzes, making it a common but aesthetically pleasing decorative object for interior spaces.
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Estimated Value
$150 - $300
Basic Information
Category
Religious Art & Statuary
Appraised On
February 28, 2026
Estimated Value
$150 - $300
Item Description
This is a sculptural representation of a seated Buddha, likely Shakyamuni, depicted in the Dhyana Mudra (meditation gesture) with hands folded in the lap. The figure is shown in a full lotus position (padmasana). Based on its silhouette and surfacing, the piece appears to be made of a cast material such as bronze, resin, or dark-toned stone like basalt or volcanic rock. It features a traditional ushnisha (topknot) and tightly curled hair. The figure is draped in a monastic robe that covers both shoulders, with visible rhythmic pleating across the arms and legs. Given the uniform dark finish and the soft rendering of the facial features visible despite the backlighting, this is likely a contemporary or mid-20th-century decorative export piece inspired by Southeast Asian (possibly Thai or Indonesian Borobudur style) or East Asian Buddhist art. The surface appears to have a matte, slightly textured patina with some minor accumulation of dust in the recessed folds of the drapery. There are no obvious signs of major structural damage, missing limbs, or significant oxidation, suggesting it has been kept in a stable indoor environment. The craftsmanship shows a standardized commercial quality rather than the intricate detailing found in antique ritual bronzes, making it a common but aesthetically pleasing decorative object for interior spaces.
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