
Trend China 'Candlelight' Pattern Teacup and Saucer
This is a Mid-Century Modern ceramic teacup and saucer set manufactured in Japan by Trend China. The underside of the cup reveals a white porcelain base featuring a rectangular maker's mark with 'TREND CHINA' in a stylized font, followed by 'JAPAN' and the pattern name 'CANDLELIGHT'. The cup's exterior and the top surface of the saucer are finished in a matte dark brown or charcoal glaze, while the interior of the cup and the integrated handle appear to be a contrasting high-gloss white. The cup features a unique, sculptural organic shape typical of ergonomic 1950s-1960s design, with a handle that seamlessly flows from the body of the cup. Regarding condition, there is visible wear on the unglazed foot ring where it makes contact with surfaces, including some localized staining or 'shelf wear' spots. The rim of the foot shows minor abrasions and discoloration consistent with age and use. The matte finish appears generally intact, though such surfaces are prone to light scuffing over time. The craftsmanship reflects the mass-production quality of Japanese export porcelain from the post-war era, characterized by clean lines and functionalist aesthetics.
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Estimated Value
$25.00 - $45.00
Basic Information
Category
Vintage Tableware / Ceramics
Appraised On
March 20, 2026
Estimated Value
$25.00 - $45.00
Item Description
This is a Mid-Century Modern ceramic teacup and saucer set manufactured in Japan by Trend China. The underside of the cup reveals a white porcelain base featuring a rectangular maker's mark with 'TREND CHINA' in a stylized font, followed by 'JAPAN' and the pattern name 'CANDLELIGHT'. The cup's exterior and the top surface of the saucer are finished in a matte dark brown or charcoal glaze, while the interior of the cup and the integrated handle appear to be a contrasting high-gloss white. The cup features a unique, sculptural organic shape typical of ergonomic 1950s-1960s design, with a handle that seamlessly flows from the body of the cup. Regarding condition, there is visible wear on the unglazed foot ring where it makes contact with surfaces, including some localized staining or 'shelf wear' spots. The rim of the foot shows minor abrasions and discoloration consistent with age and use. The matte finish appears generally intact, though such surfaces are prone to light scuffing over time. The craftsmanship reflects the mass-production quality of Japanese export porcelain from the post-war era, characterized by clean lines and functionalist aesthetics.
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