AI identification & appraisal estimate

Lefton China Hand Painted Footed Teacup and Saucer Set

Submitted photo of Lefton China Hand Painted Footed Teacup and Saucer Set
Photo submitted by the user — not generated by AI

User's notes

Lefton China Hand Painted N20335

These notes were written by the person who submitted this item. Appraiser.AI has not verified them, and the AI's identification and estimate may rely on them.

AI Estimated Value

Not an official valuation

$45.00 - $65.00

AI estimate as of April 14, 2026 · verify with a professional before acting

AI-Generated · Verify before acting

Everything on this page is generated by AI for informational purposes only. AI can make mistakes — the AI may misidentify items or misattribute them (artist, maker, brand, designer, origin, era). This is not an official valuation and should not be used for insurance, sale, tax, estate, legal, or lending purposes — or any decision requiring a certified appraisal. It is not an authoritative claim about any person, brand, or rights holder — do not share or rely on it as a factual statement about a third party. Always consult qualified professionals before making financial decisions.

This analysis also relies on unverified notes provided by the user, which may be incomplete or inaccurate and could affect the result.

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AI Item Analysis

This is a vintage fine porcelain teacup and saucer set produced by Lefton China, identified by the provided model or production number N10335. The teacup features a classic wide-mouthed 'London shape' profile and is uniquely elevated by three ornate cabriole-style feet, each tipped with gold gilt. The exterior of the cup is adorned with hand-painted floral motifs featuring large golden-yellow roses with brown and sage green foliage. A subtle wash of mint green or pale turquoise 'background' color is visible near the rim, which is also gilded in gold. The interior of the cup shows a similar floral spray on the white porcelain ground. The matching saucer features a scalloped edge with gold trim and complementary floral patterns. Based on the craftsmanship and Lefton identification, this set was likely manufactured in Japan during the mid-20th century (circa 1950s-1960s). The condition appears good with the porcelain looking intact, though there is visible 'fading' or wear on the gold gilding along the rim and on the feet, which is expected for its age. The handle is an elegant, scrolled loop design, showing fine attention to detail and high-quality vintage production typical of the Lefton brand.

AI Appraisal Report

I have conducted a visual examination of the Lefton China Hand Painted Footed Teacup and Saucer Set, model N10335. Based on the ornate cabriole feet, the 'London shape' profile, and the specific hand-painted golden rose motif, I can confirm this is a classic mid-century export piece produced by George Zoltan Lefton in occupied or post-war Japan (circa 1950s). The craftsmanship is consistent with Lefton's high-quality giftware standards of that era. Condition Assessment: The porcelain remains structurally sound with no visible hairlines or chips. However, the gold gilding on the scalloped rim and the ornate feet shows notable thinning and oxidation (wear), which is common for functional vintage ceramics but prevents the set from reaching 'mint' valuation. The hand-painted florals remain vibrant with good pigment retention. Market Analysis: The market for Japanese porcelain remains steady but saturated. Lefton N-series pieces are highly collectible, specifically the footed varieties, but they are not rare. Comparable sets in similar condition have recently realized between $40 and $70 at auction and through secondary boutique platforms. The 'mint green' wash adds a slight premium over plain white ground versions. Limitations and Authentication: While visual markers strongly suggest authenticity, a digital image cannot confirm the 'ping' test for internal cracks or the tactile texture of the glaze to rule out modern reproductions. Full professional authentication would require a hands-on inspection of the base stamp (the 'Crown' mark) and a blacklight test to check for professional repairs or overpainting that are invisible to the naked eye. No provenance documentation was provided, which limits the ability to trace the item's specific lineage.

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