Set Of Three Repurposed Decorative Vessels With Mixed Media Embellishments Appraisal

Set of Three Repurposed Decorative Vessels with Mixed Media Embellishments

This assembly features three distinct, upright decorative pieces, likely repurposed bottles or vases, each adorned with a unique artistic treatment. The leftmost item is a tall, slender vessel entirely covered in a mosaic of clear and colored glass fragments, creating a reflective, textural surface. Some pieces appear to be clear broken glass, while others show hints of purple, blue, and red, meticulously applied to form a sparkling, irregular pattern. The central piece is a more sculptural form, broader at the base and tapering upwards with an adorned 'neck' and a distinct 'head' resembling a stylized figure. This piece is extensively covered in a mosaic of multi-colored, irregular ceramic or glass shards, exhibiting a vibrant, chaotic aesthetic. Colors range from deep blues, greens, and reds to lighter pinks and whites, with some pieces appearing to be painted. The 'head' is a dark, possibly painted stone or ceramic element, featuring a simplified white outline of a figure often associated with Keith Haring's pop art style, complete with a yellow crown. The rightmost item is another tall, sculptural piece, characterized by its smooth, curvilinear form, possibly also a repurposed bottle. It is primarily decorated with an expressive, spray-painted finish in shades of blue, red, and orange, suggesting an abstract or street art influence. A notable feature on this piece is a circular inset section on the upper body that exposes a gold-toned, leaf-like motif, possibly an agave plant, surrounded by fragmented edges that might once have been part of a label or a decorative element. The top of this piece is capped with a bright, solid red, semi-spherical element. All three pieces display an artistic upcycling approach. The condition appears generally good for decorative items, with visible craftsmanship in the mosaic work and painted details. There are no obvious signs of significant damage beyond the inherent fragmented nature of the mosaic materials, which appear intentional. The overall aesthetic suggests a contemporary, possibly handcrafted period, indicative of folk art or modern decorative repurposing.